The Château de Fougères is an impressive castle with curtain wall and 13 towers. It had three different enclosures, first for defensive purposes, second for day to day usages in peacetime and for safety of the surrounding populations in times of siege, the last enclosure was where the keep was situated.
The first wooden fort was built by the House of Amboise in the 11th century. It was destroyed in 1166 after it was besieged and taken by King Henry II of England. It was immediately rebuilt by Raoul II Baron de Fougères. Fougères was not involved in the Hundred Years' War until 1449 when the castle was taken by surprise by an English mercenary. In 1488 the French troops won the castle back after a siege and the castle lost its military role.
In the late 18th century the castle was turned into a prison. The owner in this period was the Baron Pommereul. In the 19th century the outer ward became an immense landscaped garden. A museum was established in the Mélusine Tower. During the Industrial Revolution, a shoe factory set up shop in the castle grounds.
The City of Fougères took ownership of the Château in 1892. It had been a listed Historical Monument since 1862. A major campaign was launched to clean up the castle walls. While the castle had retained many of its original features, some of the curtain walls needed to be cleared and certain sections required major repairs. The changes made in the 18th century were "reversed," and the castle was finally open to visitors. The first campaign of archaeological excavations, conducted in 1925, unearthed the ruins of the manor house.
Since then, the Château de Fougères has welcomed tens of thousands of visitors every year. The castle's excellent state of conservation, and the historical interest of its architecture, make Fougères an invaluable window onto the Middle Ages. From great lords to simple builders, generations of inhabitants have left their mark on these walls.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.