Château de Beaumesnil was designed and built by John Gallard during the reign of Louis XIII between 1633 and 1640. It is constructed of stone and brick walls with a slate roof on the ruins of the motte-and-bailey castle that had stood on the site since medieval times. The east and west facades are richly decorated with carvings. The north and south pavilions were added to the building during the 18th cenbury. The donjon (keep) that was built on a mound to the south of the site was converted into an icehouse. The mound is now covered with a boxwood maze. The château and forecourt were built on the bailey with the forecourt. A footbrige provides access to the château from the east and a vehicular bridge provides access to the forecourt and château from the west. Another footbridge connects the forecourt with the motte.
The eastern side of the château overlooks a parterre laid to lawn with woodland on either side. In the 18th century, wings were added to both the northern and southern ends of the château. The 'state' rooms - the library, the drawing room, the dining room, the mistress' apartment are on the first floor and are accessed using the grand staircase.
The château, which is nicknamed 'Norman Versailles', is located in a 60 heactare estate landscaped by La Quintinie, a student of André Le Nôtre, though little is left of la Quintinie's original gardens. Much of the estate to the east of the château is wooded with a parterre laid to lawn, almost a kilometre in length, providing an impressive perpectives from the château's state rooms. The parterre is broken by a large pond, approximately one hectare in area, that has many features of a formal pond such as regular edging with specific geometric shapes.
Two formal flower beds were laid out in the 18th century to the east of the château, the smaller Jardin des quatre saisons (Four Seasons garden) on the northern side of the forecourt and the larger semi-circular Jardins demi-lune (Halfmoon garden) on the northern bank of the moat. As part of a conservation plan, a kitchen garden with over 500 varieties of ancient vegetables, including unusual varieties like devil's ear lettuce and rainbow corn has been cultivated.
The château's library and 16th century bookbinding museum were built up by the German-Jewish financier Hans Fürstenberg (1890 - 1982) who had fled Nazi Germany in 1937. He bought the château in 1938 and moved is collection of 16,000 books there, many of which dated from the 17th or 18th century. As the invasion of France drew near, valuable archives of the Bibliothèque nationale, the private archives of the King of the Belgians, the archives of Rouen and the Archives de France were moved to the château's library for safekeeping. Part of the collection was sent to Vichy France for safekeeping and the rest confiscated by the Nazi invaders. Fürstenberg's own collection ended up at the Schloss Tanzenberg in Kärnten, Austria. During the war, part of Fürstenberg's collection was lost, but the rest was returned to the château. After the war Fürstenberg rebuilt his collection, but in his later years sold parts of it to various institutes. Shortly after Fürstenberg's death, the library was further depleted when a number of items were sold to fund the Fondation Fürstenberg-Beaumesnil.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.