The Saint-Valéry Church in Varengeville-sur-Mer is perched on top of the cliffs of Ailly, hidden among gardens and woods bordering the cliff and overlooks the sea from a height of 84 metres. The lateral aisle in sandstone dates back to 1548 and was perhaps built by Jehan Ango to enlarge the primitive sanctuary. The Choir is bathed in a blue light diffused by the abstract stained glass of Raoul Ubac, disciple of Braque. The wreathed column is decorated with reliefs which were inspired by maritime expeditions. The 3rd column is polygonal (a Henry II pillar top).
The church is surrounded by the marine cemetery, made famous by 2 brothers, Jérôme and Jean Tharaud, who lived in Varengeville and wrote several texts about it in the Chronicles of Figaro in 1948. This was the beginning of the fame of this sanctuary. Some artists compare the texts of the Tharaud brothers to the poem by Paul Valéry, the Marine Cemetery, written in 1920 and singing the charms of the marine cemetery of Sète. Analogies were drawn between the two cemeteries.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.