The Saint-Valéry Church in Varengeville-sur-Mer is perched on top of the cliffs of Ailly, hidden among gardens and woods bordering the cliff and overlooks the sea from a height of 84 metres. The lateral aisle in sandstone dates back to 1548 and was perhaps built by Jehan Ango to enlarge the primitive sanctuary. The Choir is bathed in a blue light diffused by the abstract stained glass of Raoul Ubac, disciple of Braque. The wreathed column is decorated with reliefs which were inspired by maritime expeditions. The 3rd column is polygonal (a Henry II pillar top).
The church is surrounded by the marine cemetery, made famous by 2 brothers, Jérôme and Jean Tharaud, who lived in Varengeville and wrote several texts about it in the Chronicles of Figaro in 1948. This was the beginning of the fame of this sanctuary. Some artists compare the texts of the Tharaud brothers to the poem by Paul Valéry, the Marine Cemetery, written in 1920 and singing the charms of the marine cemetery of Sète. Analogies were drawn between the two cemeteries.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.