Built in the 15th and 16th centuries, King Henry IV of France is said to have declared the church of Caudebec-en-Caux to have been the most beautiful chapel in his kingdom. The fact that it does not have a transept may explain why the king referred to it as a chapel not a church. Typical of the Flamboyant Gothic style, the highlight of this church is the finely decorated west portal. In all there are 333 sculptured human figures, representing saints and aspects of daily life. Of particular interest is the figure playing an old Norman musical instrument – the Loure, a kind of bag-pipe that is no longer played in Normandy. Sadly, much of this decoration was destroyed by the Calvinists during the Religious wars and then again later during World War Two, but it has since been restored.
Around the edge of the roof, and engraved in Gothic calligraphy is one of the verses of the Magnificat, also known as the Song of Mary and one of the oldest of the Christian hymns. Stained-glass windows date to the 15th and 16th centuries.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.