History of France between 43000 BC - 701 BC
Stone tools indicate that early humans were present in France at least 1.57 million years ago. The Grotte du Vallonnet near Menton contained simple stone tools dating to 1 million to 1.05 million years BC. Cave sites were exploited for habitation, but the hunter-gatherers of the Palaeolithic era also possibly built shelters such as those identified in connection with Acheulean tools at Grotte du Lazaret and Terra Amata near Nice in France. Excavations at Terra Amata found traces of the earliest known domestication of fire in Europe, from 400,000 BC.
The Neanderthals, the earliest human species to occupy Europe, are thought to have arrived there around 300,000 BC, but seem to have died out by about by 30,000 BC, presumably unable to compete with modern humans during a period of cold weather. The earliest modern humans – Cro-Magnons – were present in Europe by 43,000 years ago during a long interglacial period of particularly mild climate, when Europe was relatively warm, and food was plentiful. When they arrived in Europe, they brought with them sculpture, engraving, painting, body ornamentation, music and the painstaking decoration of utilitarian objects. Some of the oldest works of art in the world, such as the cave paintings at Lascaux in southern France, are datable to shortly after this migration.
The Neolithic period lasted in northern Europe for approximately 3,000 years (c. 4500 BC–1700 BC). It is characterised by the so-called Neolithic Revolution, a transitional period that included the adoption of agriculture, the development of tools and pottery, and the growth of larger, more complex settlements. Many European Neolithic groups share basic characteristics, such as living in small-scale family-based communities, subsisting on domestic plants and animals supplemented with the collection of wild plant foods and with hunting, and producing hand-made pottery. Archeological sites in France include artifacts from the Linear Pottery culture (c. 5500-4500 BC), the Rössen culture (c. 4500—4000 BC), and the Chasséen culture (4,500 - 3,500 BC), the name given to the late Neolithic pre-Beaker culture that spread throughout the plains and plateaux of France, including the Seine basin and the upper Loire valleys.
It is most likely from the Neolithic that date the megalithic (large stone) monuments, such as the dolmens, menhirs, stone circles and chamber tombs, found throughout France, the largest selection of which are in the Brittany and Auvergne regions. The most famous of these are the Carnac stones (c. 3300 BC, but may date to as old as 4500 BC) and the stones at Saint-Sulpice-de-Faleyrens.
The early Bronze Age archeological cultures in France include the transitional Beaker culture (c. 2800–1900 BC), the Tumulus culture (c. 1600-1200 BC) and Urnfield culture (c. 1300-800 BC). Bronze Age sites in Brittany are believed to have grown out of Beaker roots, with some Wessex culture and Unetice culture influence. Some scholars think that the Urnfield culture represents an origin for the Celts as a distinct cultural branch of the Indo-European family. This culture was preeminent in central Europe during the late Bronze Age; the Urnfield period saw a dramatic increase in population in the region, probably due to innovations in technology and agricultural practices.
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.