History of France between 43000 BC - 701 BC
Stone tools indicate that early humans were present in France at least 1.57 million years ago. The Grotte du Vallonnet near Menton contained simple stone tools dating to 1 million to 1.05 million years BC. Cave sites were exploited for habitation, but the hunter-gatherers of the Palaeolithic era also possibly built shelters such as those identified in connection with Acheulean tools at Grotte du Lazaret and Terra Amata near Nice in France. Excavations at Terra Amata found traces of the earliest known domestication of fire in Europe, from 400,000 BC.
The Neanderthals, the earliest human species to occupy Europe, are thought to have arrived there around 300,000 BC, but seem to have died out by about by 30,000 BC, presumably unable to compete with modern humans during a period of cold weather. The earliest modern humans – Cro-Magnons – were present in Europe by 43,000 years ago during a long interglacial period of particularly mild climate, when Europe was relatively warm, and food was plentiful. When they arrived in Europe, they brought with them sculpture, engraving, painting, body ornamentation, music and the painstaking decoration of utilitarian objects. Some of the oldest works of art in the world, such as the cave paintings at Lascaux in southern France, are datable to shortly after this migration.
The Neolithic period lasted in northern Europe for approximately 3,000 years (c. 4500 BC–1700 BC). It is characterised by the so-called Neolithic Revolution, a transitional period that included the adoption of agriculture, the development of tools and pottery, and the growth of larger, more complex settlements. Many European Neolithic groups share basic characteristics, such as living in small-scale family-based communities, subsisting on domestic plants and animals supplemented with the collection of wild plant foods and with hunting, and producing hand-made pottery. Archeological sites in France include artifacts from the Linear Pottery culture (c. 5500-4500 BC), the Rössen culture (c. 4500—4000 BC), and the Chasséen culture (4,500 - 3,500 BC), the name given to the late Neolithic pre-Beaker culture that spread throughout the plains and plateaux of France, including the Seine basin and the upper Loire valleys.
It is most likely from the Neolithic that date the megalithic (large stone) monuments, such as the dolmens, menhirs, stone circles and chamber tombs, found throughout France, the largest selection of which are in the Brittany and Auvergne regions. The most famous of these are the Carnac stones (c. 3300 BC, but may date to as old as 4500 BC) and the stones at Saint-Sulpice-de-Faleyrens.
The early Bronze Age archeological cultures in France include the transitional Beaker culture (c. 2800–1900 BC), the Tumulus culture (c. 1600-1200 BC) and Urnfield culture (c. 1300-800 BC). Bronze Age sites in Brittany are believed to have grown out of Beaker roots, with some Wessex culture and Unetice culture influence. Some scholars think that the Urnfield culture represents an origin for the Celts as a distinct cultural branch of the Indo-European family. This culture was preeminent in central Europe during the late Bronze Age; the Urnfield period saw a dramatic increase in population in the region, probably due to innovations in technology and agricultural practices.
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.