History of France between 43000 BC - 701 BC
Stone tools indicate that early humans were present in France at least 1.57 million years ago. The Grotte du Vallonnet near Menton contained simple stone tools dating to 1 million to 1.05 million years BC. Cave sites were exploited for habitation, but the hunter-gatherers of the Palaeolithic era also possibly built shelters such as those identified in connection with Acheulean tools at Grotte du Lazaret and Terra Amata near Nice in France. Excavations at Terra Amata found traces of the earliest known domestication of fire in Europe, from 400,000 BC.
The Neanderthals, the earliest human species to occupy Europe, are thought to have arrived there around 300,000 BC, but seem to have died out by about by 30,000 BC, presumably unable to compete with modern humans during a period of cold weather. The earliest modern humans – Cro-Magnons – were present in Europe by 43,000 years ago during a long interglacial period of particularly mild climate, when Europe was relatively warm, and food was plentiful. When they arrived in Europe, they brought with them sculpture, engraving, painting, body ornamentation, music and the painstaking decoration of utilitarian objects. Some of the oldest works of art in the world, such as the cave paintings at Lascaux in southern France, are datable to shortly after this migration.
The Neolithic period lasted in northern Europe for approximately 3,000 years (c. 4500 BC–1700 BC). It is characterised by the so-called Neolithic Revolution, a transitional period that included the adoption of agriculture, the development of tools and pottery, and the growth of larger, more complex settlements. Many European Neolithic groups share basic characteristics, such as living in small-scale family-based communities, subsisting on domestic plants and animals supplemented with the collection of wild plant foods and with hunting, and producing hand-made pottery. Archeological sites in France include artifacts from the Linear Pottery culture (c. 5500-4500 BC), the Rössen culture (c. 4500—4000 BC), and the Chasséen culture (4,500 - 3,500 BC), the name given to the late Neolithic pre-Beaker culture that spread throughout the plains and plateaux of France, including the Seine basin and the upper Loire valleys.
It is most likely from the Neolithic that date the megalithic (large stone) monuments, such as the dolmens, menhirs, stone circles and chamber tombs, found throughout France, the largest selection of which are in the Brittany and Auvergne regions. The most famous of these are the Carnac stones (c. 3300 BC, but may date to as old as 4500 BC) and the stones at Saint-Sulpice-de-Faleyrens.
The early Bronze Age archeological cultures in France include the transitional Beaker culture (c. 2800–1900 BC), the Tumulus culture (c. 1600-1200 BC) and Urnfield culture (c. 1300-800 BC). Bronze Age sites in Brittany are believed to have grown out of Beaker roots, with some Wessex culture and Unetice culture influence. Some scholars think that the Urnfield culture represents an origin for the Celts as a distinct cultural branch of the Indo-European family. This culture was preeminent in central Europe during the late Bronze Age; the Urnfield period saw a dramatic increase in population in the region, probably due to innovations in technology and agricultural practices.
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.