Built in 1590 on the remains of the old fortified castle destroyed during the Battle of Arques, the Miromesnil castle is the testimony of four centuries of architectural history. The simple lines of the Henry IV style south façade contrast with the decorative profusion of the Louis XIII monumental north facade.
Despite the succession of numerous landlords, the castle has kept its decorative elements from the past centuries: wooden panels from the XVII and XVIII century. The furniture (sofas, chest of drawers, wardrobes) relates life in the castle in the XVIII century. On the ground floor of one of the tower, a small lounge has been reorganised in a XIX century style, to recall the presence of the Maupassant family between 1849 and 1853.
The chapel Saint Anthony in the castle park was built between the XV and XVI century. The door is mounted with an arch, only decorative element of quite a sober general aspect. Its austere outside contrasts widely with the richness of the inside. Four XVI century statues in painted stone stare at the visitor when they enter the sanctuary. The stain glasses, from the same period, represent a Blamed Christ in the centre, and the landlords atthe time on the sides. Three contemporary stain glasses, made in 1964 by Guy De Vogüé offer an abstract representation of the Christ Passion. Finally, the chapel is entirely decorated with wooden panels and stucco ornaments. You can find an altar in oak and a fence made by a local blacksmith (Le Chien) from the XVII century. It was used by the monks from the Fécamps abbey until the revolution.
Today Château de Miromesnil is a hotel with beautiful gardens.References:
Built around AD 90 to entertain the legionaries stationed at the fort of Caerleon (Isca), the impressive amphitheatre was the Roman equivalent of today’s multiplex cinema. Wooden benches provided seating for up to 6,000 spectators, who would gather to watch bloodthirsty displays featuring gladiatorial combat and exotic wild animals.
Long after the Romans left, the amphitheatre took on a new life in Arthurian legend. Geoffrey of Monmouth, the somewhat imaginative 12th-century scholar, wrote in his History of the Kings of Britain that Arthur was crowned in Caerleon and that the ruined amphitheatre was actually the remains of King Arthur’s Round Table.
Today it is the most complete Roman amphitheatre in Britain.