Jarlshof is the best known prehistoric archaeological site in Shetland Islands. It lies near the southern tip of the Shetland Mainland and has been described as 'one of the most remarkable archaeological sites ever excavated in the British Isles'. It contains remains dating from 2500 BC up to the 17th century AD. The Bronze Age settlers left evidence of several small oval houses with thick stone walls and various artefacts including a decorated bone object. The Iron Age ruins include several different types of structure including a broch and a defensive wall around the site. The Pictish period provides various works of art including a painted pebble and a symbol stone. The Viking-age ruins make up the largest such site visible anywhere in Britain and include a longhouse; excavations provided numerous tools and a detailed insight into life in Shetland at this time.
The most visible structures on the site are the walls of the Scottish period fortified manor house, which inspired the name 'Jarlshof' that first appears in an 1821 novel by Walter Scott. There is a small visitor centre at Jarlshof with displays and a collection of artefacts.The name Jarlshof meaning 'Earl"s Mansion' is a coinage of Walter Scott, who visited the site in 1814 and based it on the Scottish period name of 'the laird"s house'. It was more than a century later before excavations proved that there had actually been Viking Age settlement on the site, although there is no evidence that a Norse jarl ever lived there.
The earliest remains on the site are late Neolithic houses, followed by Bronze Age houses, two of which have underground passages attached, known as souterrains. These may have served as cold stores. A third souterrain curls beneath the hearth of one of the buildings and might have been for keeping grain dry. Smithing also took place in one of these. A broch was built in the Iron Age: today half of it has been eroded into the sea. The broch was subsequently modified and when it went out of use, at least four wheelhouses were built, partly using stone from the higher levels of the broch. One of these wheelhouses is almost complete and has corbelled cells surviving which demonstrate skilled drystone work.
Jarlshof boasts an impressive Norse settlement possibly originating in the 9th century. The earliest longhouse was in use for several generations, being modified and lengthened over time. The settlement expanded with the construction of further longhouses, barns and byres, but by the 13th century this had been replaced by a Medieval farmstead, comprising a farmhouse, barn and corn-drier.
From 1592 Sumburgh was leased to William Bruce of Symbister. Between 1604 and 1605 the estate fell into the possession of Earl Patrick but soon reverted back to the Bruce family. The property was ransacked by Earl Patrick in 1608 and reduced to ruins by the end of the century. The stones in the courtyard are believed to mark the graves of shipwrecked sailors.
Today Jarlshof is in the care of Historic Scotland and is open from April to September. There is a small visitor center.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.