Scalloway Castle was built from 1599 by Patrick Stewart, 2nd Earl of Orkney to tighten his grip on Shetland. The Stewart family, as Earls of Orkney and Shetland, had a dramatic impact on both groups of islands. Robert Stewart, 1st Earl of Orkney was the illegitimate son of James V of Scotland and one of his mistresses, Euphemia Elphinstone. He was born in 1533, and in 1564 he was given the recreated Earldom of Orkney and Shetland and the position of the Sheriff of Orkney.Robert's interest lay mainly in the richer farmlands of Orkney and though he did build the Old House of Sumburgh, he left much of the day to day running of Shetland to his half brother Laurence Bruce, who was appointed Sheriff of Shetland.
Robert died in 1593 in the Bishop's Palace, Kirkwall, largely unmourned by a population he had systematically oppressed. He was succeeded by his son, Earl Patrick, who took a much more direct interest in Shetland. Patrick also carried on the family traditions of corruption and brutality that had characterised his father's dealings on Orkney, and those of Laurence Bruce on Shetland. Patrick's interest in Shetland caused Laurence Bruce to fear for his position, and he built Muness Castle on Unst in 1598 as a bolt-hole. His fears were to prove well founded. The following year Earl Patrick confirmed his interest in Shetland by starting to build Scalloway Castle.
Scalloway Castle was built under the direction of Andrew Crawford, the Earl's master of works, who had also built Muness Castle for Laurence Bruce. And given the similarities in style and sophistication, he also seems to have been the hand behind the later and grander Earl's Palace built in Kirkwall by Earl Patrick in 1607.Patrick's growing collection of enemies eventually became just too numerous and too powerful. He was in prison in Edinburgh when his son Robert rose in revolt in 1614 and seized Kirkwall. It took a royal army under the Earl of Caithness and a siege (during which Kirkwall Castle was destroyed and St Magnus Cathedral, Kirkwall, was threatened) to displace him, and both Patrick and his son Robert were later executed. It is an oft-quoted comment on Patrick's ignorance that his execution had to be delayed to give him time to learn the Lord's Prayer.
After Patrick's demise, Scalloway Castle remained the administrative centre for Shetland and it was still in good shape when used as a barracks for Oliver Cromwell's troops in the 1650s. By 1700 there were reports that the roof was leaking, and the shift of Shetland's capital to Lerwick a few years later confirmed Scalloway Castle's decline.
The last straw was the removal in 1754 of much of the stone from the lesser buildings that originally surrounded the tower house to build a nearby mansion. In 1908 the castle was placed in the care of the State, and it is now looked after by Historic Scotland.
The tower house itself has been extensively restored over the past century, but nothing visible remains of the surrounding walls and buildings. The latter half of the 1900s saw the point on which the tower house stands gradually surrounded by reclaimed land and harbour developments.Before entering, make sure you take note of the corbelling at every corner of the tower house, a trademark of Andrew Crawford.Internally the ground floor reveals the vaulted store, used as an exhibition area, and kitchen, complete with well. Plus a porter's lodge that could double as a prison.
Most visitors to the castle during its active life would have headed directly up the main staircase on entering the tower. This is a grand affair of wide steps and square landings and leads directly up to the hall on the first floor. Today the hall is open to the elements. There were originally two more floors above it, providing secure accommodation for the castle's most important residents.
Spiral stairs from opposing corners of the main hall originally led up to these higher floors. One is long gone. The other still provides access to rooms in the south wing of the castle, one of which is open to visitors. This gives a higher level view of the great hall, and a sense of just how grand a place this would have been in its all too brief heyday.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.