Scalloway Castle was built from 1599 by Patrick Stewart, 2nd Earl of Orkney to tighten his grip on Shetland. The Stewart family, as Earls of Orkney and Shetland, had a dramatic impact on both groups of islands. Robert Stewart, 1st Earl of Orkney was the illegitimate son of James V of Scotland and one of his mistresses, Euphemia Elphinstone. He was born in 1533, and in 1564 he was given the recreated Earldom of Orkney and Shetland and the position of the Sheriff of Orkney.Robert's interest lay mainly in the richer farmlands of Orkney and though he did build the Old House of Sumburgh, he left much of the day to day running of Shetland to his half brother Laurence Bruce, who was appointed Sheriff of Shetland.
Robert died in 1593 in the Bishop's Palace, Kirkwall, largely unmourned by a population he had systematically oppressed. He was succeeded by his son, Earl Patrick, who took a much more direct interest in Shetland. Patrick also carried on the family traditions of corruption and brutality that had characterised his father's dealings on Orkney, and those of Laurence Bruce on Shetland. Patrick's interest in Shetland caused Laurence Bruce to fear for his position, and he built Muness Castle on Unst in 1598 as a bolt-hole. His fears were to prove well founded. The following year Earl Patrick confirmed his interest in Shetland by starting to build Scalloway Castle.
Scalloway Castle was built under the direction of Andrew Crawford, the Earl's master of works, who had also built Muness Castle for Laurence Bruce. And given the similarities in style and sophistication, he also seems to have been the hand behind the later and grander Earl's Palace built in Kirkwall by Earl Patrick in 1607.Patrick's growing collection of enemies eventually became just too numerous and too powerful. He was in prison in Edinburgh when his son Robert rose in revolt in 1614 and seized Kirkwall. It took a royal army under the Earl of Caithness and a siege (during which Kirkwall Castle was destroyed and St Magnus Cathedral, Kirkwall, was threatened) to displace him, and both Patrick and his son Robert were later executed. It is an oft-quoted comment on Patrick's ignorance that his execution had to be delayed to give him time to learn the Lord's Prayer.
After Patrick's demise, Scalloway Castle remained the administrative centre for Shetland and it was still in good shape when used as a barracks for Oliver Cromwell's troops in the 1650s. By 1700 there were reports that the roof was leaking, and the shift of Shetland's capital to Lerwick a few years later confirmed Scalloway Castle's decline.
The last straw was the removal in 1754 of much of the stone from the lesser buildings that originally surrounded the tower house to build a nearby mansion. In 1908 the castle was placed in the care of the State, and it is now looked after by Historic Scotland.
The tower house itself has been extensively restored over the past century, but nothing visible remains of the surrounding walls and buildings. The latter half of the 1900s saw the point on which the tower house stands gradually surrounded by reclaimed land and harbour developments.Before entering, make sure you take note of the corbelling at every corner of the tower house, a trademark of Andrew Crawford.Internally the ground floor reveals the vaulted store, used as an exhibition area, and kitchen, complete with well. Plus a porter's lodge that could double as a prison.
Most visitors to the castle during its active life would have headed directly up the main staircase on entering the tower. This is a grand affair of wide steps and square landings and leads directly up to the hall on the first floor. Today the hall is open to the elements. There were originally two more floors above it, providing secure accommodation for the castle's most important residents.
Spiral stairs from opposing corners of the main hall originally led up to these higher floors. One is long gone. The other still provides access to rooms in the south wing of the castle, one of which is open to visitors. This gives a higher level view of the great hall, and a sense of just how grand a place this would have been in its all too brief heyday.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.