The Château de Tonquédec is one of the most visited monuments in the département of the Côtes d'Armor. The castle ruins with its several towers and a closed curtain wall is one of the most impressive French medieval sites. From the height of a rocky cliff it dominates the valley of the Léguer. It is a genuine vestige of feudal Brittany. The present castle was built in the 15th century, on the site of an earlier 12th-century castle (built by the Coëtmen-Penthièvre family). It was partially dismantled by order of Jean IV, Duke of Brittany, in 1395 because of a conflict between him and the Penthièvres. Indeed, Rolland II and Rolland III of Coëtmen, Viscounts of Tonquédec, had allied themselves to the rebellion of Olivier de Clisson.
Reconstruction began in 1406 by Rolland IV of Coëtmen. The castle subsequently changed owners several times, before becoming an artillery base in 1577. At this time, the owning family (Goyon de La Moussaye), being Protestant, was therefore in disagreement with the king, Henri IV. During the War of the League, the castle was a hiding place for Huguenots. It was finally dismantled around 1622 on the orders of the powerful Cardinal Richelieu.
The castle currently belongs to descendants of the original builders, House of Coëtmen-Penthièvre. The entrance gate leads to an outer fortified courtyard or basse-cour. Two towers, joined by a curtain wall, frame the entrance to the inner courtyard which is reached by a postern, once protected by a moat and drawbridge. The keep with walls 4m thick, stands detached from the curtain walls, at the rear of the ensemble. The ruins may be visited from April to October.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.