Egtved Girl Mound

Egtved, Denmark

The Egtved Girl (c. 1390–1370 BC) was a Nordic Bronze Age girl whose well-preserved remains were discovered outside Egtved in 1921. Aged 16–18 at death, she was slim, 160 cm tall, had short, blond hair and well-trimmed nails. Her burial has been dated by dendrochronology to 1370 BC. She was discovered in a barrow approximately 30 metres wide and 4 metres high. Only the girl's hair, brain, teeth, nails and little skin remain preserved.

The barrow was excavated in 1921, and an east-western aligned coffin was found. It was transported in sealed condition to the National Museum of Denmark in Copenhagen, where it was opened and the Egtved Girl discovered. She was buried fully dressed on a cowhide in the coffin. She wore a loose bodice with sleeves reaching the elbow. She had a bare waist and wore a short string skirt. She had bronze bracelets and a woolen belt with a large disc decorated with spirals and a spike. At her feet were the cremated remains of a child age 5–6. By her head there was a small birch bark box which contained an awl, bronze pins and a hair net.

Before the coffin was closed she was covered with a blanket and a cowhide. Flowering yarrow (indicating a summer burial) and a bucket of beer made of wheat, honey, bog-myrtle and cowberries were placed atop. Her distinctive outfit, which caused a sensation when it was unearthed in the 1920s, is the best preserved example of a style now known to be common in Northern Europe during the Bronze Age. The good preservation of Egtved girl is due to the acidic bog conditions of the soil, which is a common condition of this locale.

The outfit was reconstructed for the National Museum of Denmark by the Lejre Experimental Centre and is on display there. A reconstructed set of clothes, as well as details of the excavation, are on display in the Egtved Girl's museum at the excavation site.

References:

Comments

Your name



User Reviews

Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Holy Trinity Column

The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.

The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.

The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.

Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.

In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.

The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.