The Egtved Girl (c. 1390–1370 BC) was a Nordic Bronze Age girl whose well-preserved remains were discovered outside Egtved in 1921. Aged 16–18 at death, she was slim, 160 cm tall, had short, blond hair and well-trimmed nails. Her burial has been dated by dendrochronology to 1370 BC. She was discovered in a barrow approximately 30 metres wide and 4 metres high. Only the girl's hair, brain, teeth, nails and little skin remain preserved.
The barrow was excavated in 1921, and an east-western aligned coffin was found. It was transported in sealed condition to the National Museum of Denmark in Copenhagen, where it was opened and the Egtved Girl discovered. She was buried fully dressed on a cowhide in the coffin. She wore a loose bodice with sleeves reaching the elbow. She had a bare waist and wore a short string skirt. She had bronze bracelets and a woolen belt with a large disc decorated with spirals and a spike. At her feet were the cremated remains of a child age 5–6. By her head there was a small birch bark box which contained an awl, bronze pins and a hair net.
Before the coffin was closed she was covered with a blanket and a cowhide. Flowering yarrow (indicating a summer burial) and a bucket of beer made of wheat, honey, bog-myrtle and cowberries were placed atop. Her distinctive outfit, which caused a sensation when it was unearthed in the 1920s, is the best preserved example of a style now known to be common in Northern Europe during the Bronze Age. The good preservation of Egtved girl is due to the acidic bog conditions of the soil, which is a common condition of this locale.
The outfit was reconstructed for the National Museum of Denmark by the Lejre Experimental Centre and is on display there. A reconstructed set of clothes, as well as details of the excavation, are on display in the Egtved Girl's museum at the excavation site.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.