Koldinghus Castle was founded in the 13th century and was expanded since with many functions ranging from fortress, royal residency, ruin, museum, and the location of numerous wartime negotiations. The castle was originally founded by Christoffer I in 1268 but the oldest remaining part of buildings is the north side facing the castle lake originally built by king Christoffer III (1441–1448). The western side was later built by king Christian I (1448–1481). King Christian III built the south side and the small towers in the courtyard.
In the 16th century cannons became more frequent tools of war and thick walled fortresses like Koldinghus partly lost their defensive significance. For this reason king Christian III added several buildings to the fortress and eventually turned it into a royal residence instead. The new residence became popular among the royal family and Prince Frederick, the heir apparent, grew up at Koldinghus. Christian III sometimes held court at the castle and it was here on 1 January 1559 that he died. When Christian IVbecame king in 1588 he choose to expand it further with the addition of the “Giant tower”. The tower was so named because of the 4 statues of giants from the Greek and Roman mythology (Hannibal, Hector, Scipio and Hercules) which adorned it. Today, the only statue on the tower is that of Hercules, since Hannibal and Hector were crushed during the 1808 fire and in a storm in 1854, Scipio fell to the ground.
Over the course of time Copenhagen became the focal point of the political power and the outlying local royal residences were used less and less frequently. When Frederik IV became king he decided to remove most of the remaining surrounding walls leaving Koldinghus as it can be seen today.
During the Napoleonic wars in 1808 Denmark had allied herself with France and Spain against among others Sweden and England. It was decided that 30.000 French and Spanish soldiers were to be stationed in Denmark to assist in a campaign to recuperate the Scanian lands lost to Sweden 150 years earlier. The Spanish soldiers arrived during the winter of 1808 and were quartered at Koldinghus under the supervision of their French commander Jean-Baptiste Bernadotte (later to become king of Sweden and Norway). The Scandinavian climate typically being somewhat colder than that of Spain and France reportedly resulted in much activity around the furnaces and stoves to the extent of even furniture being set alight. This combined with the unusually large number of people concentrated in the castle may have been contributing factors to the fire which erupted in the early hours of a winter night.
The danger of a fire had been anticipated and fire guards had been posted to patrol the castle throughout the nights. However, one was ill and had not reported that he stayed home and the other had left his post for some hours. In any event, the fire was discovered all too late to salvage the main buildings. Only the “Giant tower” remained untouched by the flames.
The ongoing events in the Napoleonic wars were not favourable to the kingdom and funds remained too tight to immediately warrant a reconstruction of the castle. It remained a ruin for several decades to come and over time became a popular landmark visited by among others HC Andersen. It was eventually decided to restore the old castle and in 1991 it was completed.
Today the restored castle functions as a museum containing collections of furniture from the 16th century to present, Roman and Gothic church culture, older Danish paintings, crafts focused on ceramics and silver and shifting thematized exhibitions.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.