Koldinghus Castle was founded in the 13th century and was expanded since with many functions ranging from fortress, royal residency, ruin, museum, and the location of numerous wartime negotiations. The castle was originally founded by Christoffer I in 1268 but the oldest remaining part of buildings is the north side facing the castle lake originally built by king Christoffer III (1441–1448). The western side was later built by king Christian I (1448–1481). King Christian III built the south side and the small towers in the courtyard.
In the 16th century cannons became more frequent tools of war and thick walled fortresses like Koldinghus partly lost their defensive significance. For this reason king Christian III added several buildings to the fortress and eventually turned it into a royal residence instead. The new residence became popular among the royal family and Prince Frederick, the heir apparent, grew up at Koldinghus. Christian III sometimes held court at the castle and it was here on 1 January 1559 that he died. When Christian IVbecame king in 1588 he choose to expand it further with the addition of the “Giant tower”. The tower was so named because of the 4 statues of giants from the Greek and Roman mythology (Hannibal, Hector, Scipio and Hercules) which adorned it. Today, the only statue on the tower is that of Hercules, since Hannibal and Hector were crushed during the 1808 fire and in a storm in 1854, Scipio fell to the ground.
Over the course of time Copenhagen became the focal point of the political power and the outlying local royal residences were used less and less frequently. When Frederik IV became king he decided to remove most of the remaining surrounding walls leaving Koldinghus as it can be seen today.
During the Napoleonic wars in 1808 Denmark had allied herself with France and Spain against among others Sweden and England. It was decided that 30.000 French and Spanish soldiers were to be stationed in Denmark to assist in a campaign to recuperate the Scanian lands lost to Sweden 150 years earlier. The Spanish soldiers arrived during the winter of 1808 and were quartered at Koldinghus under the supervision of their French commander Jean-Baptiste Bernadotte (later to become king of Sweden and Norway). The Scandinavian climate typically being somewhat colder than that of Spain and France reportedly resulted in much activity around the furnaces and stoves to the extent of even furniture being set alight. This combined with the unusually large number of people concentrated in the castle may have been contributing factors to the fire which erupted in the early hours of a winter night.
The danger of a fire had been anticipated and fire guards had been posted to patrol the castle throughout the nights. However, one was ill and had not reported that he stayed home and the other had left his post for some hours. In any event, the fire was discovered all too late to salvage the main buildings. Only the “Giant tower” remained untouched by the flames.
The ongoing events in the Napoleonic wars were not favourable to the kingdom and funds remained too tight to immediately warrant a reconstruction of the castle. It remained a ruin for several decades to come and over time became a popular landmark visited by among others HC Andersen. It was eventually decided to restore the old castle and in 1991 it was completed.
Today the restored castle functions as a museum containing collections of furniture from the 16th century to present, Roman and Gothic church culture, older Danish paintings, crafts focused on ceramics and silver and shifting thematized exhibitions.References:
Charlottenburg Palace is the largest palace in Berlin and the only surviving royal residence in the city dating back to the time of the Hohenzollern family. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg in what was then the village of Lietzow. Originally named Lietzenburg, the palace was designed by Johann Arnold Nering in baroque style. The inauguration of the palace was celebrated on 11 July 1699, Frederick's 42nd birthday.
Friedrich crowned himself as King Friedrich I in Prussia in 1701 (Friedrich II, known as Frederick the Great, would later achieve the title King of Prussia). Two years previously, he had appointed Johann Friedrich von Eosander (also known as Eosander von Göthe) as the royal architect and sent him to study architectural developments in Italy and France, particularly the Palace of Versailles. On his return in 1702, Eosander began to extend the palace, starting with two side wings to enclose a large courtyard, and the main palace was extended on both sides. Sophie Charlotte died in 1705 and Friedrich named the palace and its estate Charlottenburg in her memory. In the following years, the Orangery was built on the west of the palace and the central area was extended with a large domed tower and a larger vestibule. On top of the dome is a wind vane in the form of a gilded statue representing Fortune designed by Andreas Heidt. The Orangery was originally used to overwinter rare plants. During the summer months, when over 500 orange, citrus and sour orange trees decorated the baroque garden, the Orangery regularly was the gorgeous scene of courtly festivities.
Inside the palace, was a room described as 'the eighth wonder of the world', the Amber Room, a room with its walls surfaced in decorative amber. It was designed by Andreas Schlüter and its construction by the Danish amber craftsman Gottfried Wolfram started in 1701. Friedrich Wilhelm I gave the Amber Room to Tsar Peter the Great as a present in 1716.
When Friedrich I died in 1713, he was succeeded by his son, Friedrich Wilhelm I whose building plans were less ambitious, although he did ensure that the building was properly maintained. Building was resumed after his son Friedrich II (Frederick the Great) came to the throne in 1740. During that year, stables for his personal guard regiment were completed to the south of the Orangery wing and work was started on the east wing. The building of the new wing was supervised by Georg Wenzeslaus von Knobelsdorff, the Superintendent of all the Royal Palaces, who largely followed Eosander's design. The decoration of the exterior was relatively simple but the interior furnishings were lavish. The ground floor was intended for Frederick's wife Elisabeth Christine, who, preferring Schönhausen Palace, was only an occasional visitor. The decoration of the upper floor, which included the White Hall, the Banqueting Hall, the Throne Room and the Golden Gallery, was lavish and was designed mainly by Johann August Nahl. In 1747, a second apartment for the king was prepared in the distant eastern part of the wing. During this time, Sanssouci was being built at Potsdam and once this was completed Frederick was only an occasional visitor to Charlottenburg.
In 1786, Frederick was succeeded by his nephew Friedrich Wilhelm II who transformed five rooms on the ground floor of the east wing into his summer quarters and part of the upper floor into Winter Chambers, although he did not live long enough to use them. His son, Friedrich Wilhelm III came to the throne in 1797 and reigned with his wife, Queen Luise for 43 years. They spent much of this time living in the east wing of Charlottenburg. Their eldest son, Friedrich Wilhelm IV, who reigned from 1840 to 1861, lived in the upper storey of the central palace building. After Friedrich Wilhelm IV died, the only other royal resident of the palace was Friedrich III who reigned for 99 days in 1888.
The palace was badly damaged in 1943 during the Second World War. In 1951, the war-damaged Stadtschloss in East Berlin was demolished and, as the damage to Charlottenburg was at least as serious, it was feared that it would also be demolished. However, following the efforts of Margarete Kühn, the Director of the State Palaces and Gardens, it was rebuilt to its former condition, with gigantic modern ceiling paintings by Hann Trier.
The garden was designed in 1697 in baroque style by Simeon Godeau who had been influenced by André Le Nôtre, designer of the gardens at Versailles. Godeau's design consisted of geometric patterns, with avenues and moats, which separated the garden from its natural surroundings. Beyond the formal gardens was the Carp Pond. Towards the end of the 18th century, a less formal, more natural-looking garden design became fashionable. In 1787 the Royal Gardener Georg Steiner redesigned the garden in the English landscape style for Friedrich Wilhelm II, the work being directed by Peter Joseph Lenné. After the Second World War, the centre of the garden was restored to its previous baroque style.