Koldinghus Castle was founded in the 13th century and was expanded since with many functions ranging from fortress, royal residency, ruin, museum, and the location of numerous wartime negotiations. The castle was originally founded by Christoffer I in 1268 but the oldest remaining part of buildings is the north side facing the castle lake originally built by king Christoffer III (1441–1448). The western side was later built by king Christian I (1448–1481). King Christian III built the south side and the small towers in the courtyard.
In the 16th century cannons became more frequent tools of war and thick walled fortresses like Koldinghus partly lost their defensive significance. For this reason king Christian III added several buildings to the fortress and eventually turned it into a royal residence instead. The new residence became popular among the royal family and Prince Frederick, the heir apparent, grew up at Koldinghus. Christian III sometimes held court at the castle and it was here on 1 January 1559 that he died. When Christian IVbecame king in 1588 he choose to expand it further with the addition of the “Giant tower”. The tower was so named because of the 4 statues of giants from the Greek and Roman mythology (Hannibal, Hector, Scipio and Hercules) which adorned it. Today, the only statue on the tower is that of Hercules, since Hannibal and Hector were crushed during the 1808 fire and in a storm in 1854, Scipio fell to the ground.
Over the course of time Copenhagen became the focal point of the political power and the outlying local royal residences were used less and less frequently. When Frederik IV became king he decided to remove most of the remaining surrounding walls leaving Koldinghus as it can be seen today.
During the Napoleonic wars in 1808 Denmark had allied herself with France and Spain against among others Sweden and England. It was decided that 30.000 French and Spanish soldiers were to be stationed in Denmark to assist in a campaign to recuperate the Scanian lands lost to Sweden 150 years earlier. The Spanish soldiers arrived during the winter of 1808 and were quartered at Koldinghus under the supervision of their French commander Jean-Baptiste Bernadotte (later to become king of Sweden and Norway). The Scandinavian climate typically being somewhat colder than that of Spain and France reportedly resulted in much activity around the furnaces and stoves to the extent of even furniture being set alight. This combined with the unusually large number of people concentrated in the castle may have been contributing factors to the fire which erupted in the early hours of a winter night.
The danger of a fire had been anticipated and fire guards had been posted to patrol the castle throughout the nights. However, one was ill and had not reported that he stayed home and the other had left his post for some hours. In any event, the fire was discovered all too late to salvage the main buildings. Only the “Giant tower” remained untouched by the flames.
The ongoing events in the Napoleonic wars were not favourable to the kingdom and funds remained too tight to immediately warrant a reconstruction of the castle. It remained a ruin for several decades to come and over time became a popular landmark visited by among others HC Andersen. It was eventually decided to restore the old castle and in 1991 it was completed.
Today the restored castle functions as a museum containing collections of furniture from the 16th century to present, Roman and Gothic church culture, older Danish paintings, crafts focused on ceramics and silver and shifting thematized exhibitions.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.