Norsk Folkemuseum, the Norwegian Museum of Cultural History, is a museum of cultural history with extensive collections of artifacts from all social groups and all regions of the country. It also incorporates a large open air museum with more than 150 buildings relocated from towns and rural districts.
Norsk Folkemuseum was established in 1894 by librarian and historian Hans Aall (1867-1946). It acquired the core area of its present property in 1898. After having built temporary exhibition buildings and re-erected a number of rural buildings, the museum could open its gates to the public in 1901. In 1907 the collections of King Oscar II on the neighbouring site was incorporated into the museum. Its five relocatd buildings, with the Gol stave church in the centre, is recognized as the world's first open air museum, founded in 1881.
Among the open air museum's more significant buildings are Gol stave church from the 13th century which was incorporated into the Norsk Folkemuseum in 1907. The Gol Stave Church is one of five medieval buildings at the museum, which also includes the Rauland farmhouse (Raulandstua) from the 14th century, and the 1865 tenement building relocated from 15 Wessels gate in Oslo. Seven of the nine flats show typical interiors from various periods of the 19th and 20th centuries, including a flat inhabited by an immigrant family from Pakistan as it was furnished in 2002. In 1951, the Sami collections in the Ethnographic Museum of the University of Oslo were transferred to the Norsk Folkemuseum.
The museum also possesses a large photographic archive, including a significant portion of the works of Anders Beer Wilse. In 2004, the administration of the adjacent Bygdøy Royal Estate was transferred to the museum. Throughout its existence, research has focused on building and furniture, clothing and textiles, technical and social culture, agriculture, working memory and Sami culture.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.