The Norwegian fortress Fredriskberg lay strategically placed on Nordnes’ highest point with a precipitous cliff face to the sea on the west side. Dutch Engineer Major General Henrik Ruse (1624-79) initiated the fortress construction, planned with three bastions and a half bastion on the land side and a wall on the side adjacent to the cliff. The fort was built between 1666 and 1667. It was built after and in many respects because of the Battle of Vågen. It is named after King Fredrik III of Norway.
The construction stalled and the fortifications decayed. A 1695 inspection of Bergen by Christian V of Denmark’s son, Christian Gyldenløve was the impetus which restarted work on the fortifications. By 1706 construction had been completed, albeit in a less complicated layout than originally planned.
Fredriksberg served among other things as a place of execution. Katten, the bastion, was also built in 1666 in what today is the Nordnes Park. The Lavette houses were built in 1810 and 1843 as military storages. After the city fire in 1916 they were used as temporary housing.
The grounds in front of the Lavette houses were used as a place of execution until the Swedish counterfeiter Jacob Wallin was executed in 1876. The Nordnes Park was built 1888-1898 partly on some of the old fortifications. The fortress has also been part of the Bergen Fire Fighting Service. It was a fire watch station from 1667 and a fire station from 1905 to 1926. Today the fort is the headquarters of Nordnæs Bataillon, a buekorps.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.