In Austre Åmøy, specifically at the Meling farm, you can find the largest concentration of rock carvings in Rogaland. There are several fields in the area, with both large and small rock carvings. The largest petroglyph fields are prepared and signposted to the public, while the smaller fields are not accessible to visitors.
On sloping rocks lies artwork carved by human hand 2000-3000 years ago. In Austre Åmøy there are around 1000 figures registered over a distance of about 1 km, divided into 10 fields. The petroglyphs were created in the Bronze Age and the early Iron Age. The carvings show a cult where the sun was an animating factor. People from Rogaland carved ships, sun symbols, human figures and many other designs.
The ships appear in several variations and none of the ships carvings are exactly alike. The ship was an important religious symbol throughout the Bronze Age, interpreted as the symbol of all that was holy and full of power, while it was a means of transportation to the sun and the divine in all spheres.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.