The church of Archangel Michael is situated in a central area of the Troodos mountain range, in the valley of Marathasa, in the village of Pedoulas. In 1985 it was inscribed on the UNESCO World Heritage List which includes nine other painted Byzantine churches of the Troodos range. According to the dedicatory inscription above the north entrance, the church was built and decorated with frescoes in 1474, with the donation of priest Vasilios Chamados. The priest, accompanied by his wife and two daughters, is depicted above the dedicatory inscription, offering Archangel Michael a model of the church.
This church belongs to the typical single-aisled, timber-roof type of the Troodos region. The narthex, which extends to its south and west side, was used as a loft due to the small size of the church. The loft was used by the women, while only men entered the main church.
The church of Archangelos Michail is one of the few churches in Cyprus which preserves the name of the artist who decorated it. His name was Minas and he was a local painter who came from the area of Marathasa. Minas was a typical “naïve” painter with a conservative style, and followed the Byzantine tradition. However, he was aware of the artistic trends of his time and place which explains the influx of western elements in his work. During this period many contemporary churches were decorated with wall-paintings of the same style.
The wooden templon screen is worth mentioning, which also dates to 1474, with painted decoration consisting of coats-of-arms. It is one of the best-preserved examples of the kind in Cyprus. On the epistyle one can notice the painted coats-of-arms of the medieval Kingdom of Cyprus. Next to it is the double-headed eagle, the emblem of the Palaiologan dynasty, the last kings of the Byzantine Empire.
Only a few metres to the west of the church of Archangelos Michail, in a specially arranged room of the old primary school, a collection of portable icons and other objects of mainly religious art are kept. These come from the Byzantine churches of the village of Pedoulas, and are dated from the 13th to the 20th century.References:
Tyniec Benedictine abbey was founded by King Casimir the Restorer probably around 1044. Casimir decided to rebuild the newly established Kingdom of Poland, after a Pagan rebellion and a disastrous Czech raid of Duke Bretislaus I (1039). The Benedictines, invited to Tyniec by the King, were tasked with restoring order as well as cementing the position of the State and the Church. First Tyniec Abbot was Aaron, who became the Bishop of Kraków. Since there is no conclusive evidence to support the foundation date as 1040, some historians claim that the abbey was founded by Casimir the Restorer’ son, King Boleslaw II the Generous.
In the second half of the 11th century, a complex of Romanesque buildings was completed, consisting of a basilica and the abbey. In the 14th century, it was destroyed in Tatar and Czech raids, and in the 15th century it was rebuilt in Gothic style. Further remodelings took place in the 17th and 18th centuries, first in Baroque, then in Rococo style. The abbey was partly destroyed in the Swedish invasion of Poland, and soon afterwards was rebuilt, with a new library. Further destruction took place during the Bar Confederation, when Polish rebels turned the abbey into their fortress.
In 1816, Austrian authorities liquidated the abbey, and in 1821-1826, it was the seat of the Bishop of Tyniec, Grzegorz Tomasz Ziegler. The monks, however, did not return to the abbey until 1939, and in 1947, remodelling of the neglected complex was initiated. In 1968, the Church of St. Peter and Paul was once again named the seat of the abbot. The church itself consists of a Gothic presbytery and a Baroque main nave. Several altars were created by an 18th-century Italian sculptor Francesco Placidi. The church also has a late Baroque pulpit by Franciszek Jozef Mangoldt.