The original Kyrenia castle was probably built by Byzantines in the 7th Century to guard the city against the new Arab maritime threat. The first historical reference to the castle occurs in 1191, when King Richard the Lionheart of England captured it on his way to the Third Crusade. He did so by defeating Isaac Comnenus, an upstart local governor who had proclaimed himself emperor.
After a short period, Richard sold the island to the Knights Templar, and then to his cousin Guy de Lusignan, the former king of Jerusalem. This began the 300 years of the Frankish Lusignan Kingdom of Cyprus (1192–1489). Initially the castle was quite small. John d'Ibelin enlarged it between 1208 and 1211. The Castle's main function was military and the improvements consisted of a new entrance, square and horseshoe-shaped towers, embrasures for archers, and dungeons.
The castle was subjected to several sieges. A Genoese attack in 1373 almost destroyed the castle, and the longest amongst the sieges, in the 15th century, lasted nearly four years and reduced the unfortunate occupants to eating mice and rats. By 1489 the Venetians had taken control of Cyprus and in 1540 they enlarged the castle, giving it its present-day appearance. The chief changes, such as the addition of thick walls and embrasures for cannons, were adaptations to changes in warfare in the form of gunpowder artillery. The Venetians also installed gun ports at three levels so that they could direct cannon fire against attackers from the land, suggesting that they were more afraid of an attack from the Cypriots than from the sea. Inside the castle, they built huge long ramps so as to be able to drag artillery up on the walls. When the work on the castle was finished, its walls also encompassed the small church of St. George, which the Byzantines may have built in the 11th or 12th century.
In 1570, Kyrenia surrendered to the Ottomans. The Ottomans too made changes to the castle, but the British removed these during their occupation. The castle contains the tomb of the Ottoman Admiral Sadik Pasha. The British used the castle as a police barracks and training school. They also used the castle as a prison for members of the Greek Cypriot EOKA organization.
Since 1960 the castle has been open to the public. However, during the period from 1963 to 1967 the Cypriot National Guard used the castle as a military headquarters. Following the Turkish invasion of Cyprus, in 1974 the Girne Department of Antiquities and Museums took over responsibility for the castle's preservation and use. The Department is keeping icons that were collected from churches in the Kyrenia area pre-1974 and has stored them in the castle's locked rooms for safekeeping. Some of these are now on display in the Archangel Michael Church.
The moat on the landward side of the castle was full of water prior to the 14th Century AD and served as a harbour to the castle. One enters the Castle through its north-west entrance, which opens on a bridge spanning the moat. From the first gate, lying to the north west of the fortified wall that the Venetians built, one comes to a vaulted corridor that leads to the entrance of the Lusignan castle. A passage to the left of the corridor gives entry to the cruciform Church of St. George. The dome of this church rests on marble columns with Corinthian capitals that were salvaged from an older building elsewhere and placed here.
The tomb in the entrance corridor of the Lusignan castle belongs to the Ottoman Admiral Sadik Pasha who conquered Kyrenia in 1570. The corridor then leads to the castle's large inner courtyard, which is lined with guardrooms, stables and living quarters. The arched rooms (royal guard rooms, prison etc.) to the north and east of the yard belong to the Lusignan Period. The Royal quarters to the west of the yard, as well as the big and arched windows of the little Latin Temple also date back to the Lusignan Period. On the southern part of the yard there are fortifications and remains belonging to the Byzantine Period. Ramps lead to the defences on the upper sections of the walls. One can climb steps to the Lusignan royal apartments and a small chapel. The depths of Kyrenia Castle contain dungeons, storage rooms and the powder magazines. Off the courtyard, there is a room displaying the finds from various archaeological sites such as the Akdeniz village tomb, the neolithic settlement at Vrysi, and the Kirni Bronze Age tomb. There is also a small souvenir shop and simple cafe at the northern end of the courtyard.
One of the rooms leading off the courtyard contains the Shipwreck Museum, which exhibits the remains of a Greek merchant ship from the 4th century BC, one of the oldest vessels ever to be recovered, together with its cargo. In 1965, Andreas Kariolou, a Greek-Cypriot diver, discovered the vessel, laden with millstones and amphorae of wine from Kos and Rhodes. The vessel was sailing to Cyprus when a storm wrecked it outside Kyrenia harbour. In 1967 he showed the wreck to archeologists. A team, under Michael Katsev of the University of Pennsylvania Museum of Archaeology and Anthropology, then studied the wreck from 1969 to 1974. The vessel was approximately already 80 years old at the time it sank. Today, the 14 m long hull, made of Aleppo pine sheathed in lead, is preserved in a specially controlled environment in the Museum, together with its amphorae.References:
The Veste Coburg is one of Germany's largest castles. The hill on which the fortress stands was inhabited from the Neolithic to the early Middle Ages according to the results of excavations. The first documentary mention of Coburg occurs in 1056, in a gift by Richeza of Lotharingia. Richeza gave her properties to Anno II, Archbishop of Cologne, to allow the creation of Saalfeld Abbey in 1071. In 1075, a chapel dedicated to Saint Peter and Saint Paul is mentioned on the fortified Coberg. This document also refers to a Vogt named Gerhart, implying that the local possessions of the Saalfeld Benedictines were administered from the hill.
A document signed by Pope Honorius II in 1206 refers to a mons coburg, a hill settlement. In the 13th century, the hill overlooked the town of Trufalistat (Coburg's predecessor) and the important trade route from Nuremberg via Erfurt to Leipzig. A document dated from 1225 uses the term schloss (palace) for the first time. At the time, the town was controlled by the Dukes of Merania. They were followed in 1248 by the Counts of Henneberg who ruled Coburg until 1353, save for a period from 1292-1312, when the House of Ascania was in charge.
In 1353, Coburg fell to Friedrich, Markgraf von Meißen of the House of Wettin. His successor, Friedrich der Streitbare was awarded the status of Elector of Saxony in 1423. As a result of the Hussite Wars the fortifications of the Veste were expanded in 1430.
In 1485, in the Partition of Leipzig, Veste Coburg fell to the Ernestine branch of the family. A year later, Elector Friedrich der Weise and Johann der Beständige took over the rule of Coburg. Johann used the Veste as a residence from 1499. In 1506/07, Lucas Cranach the Elder lived and worked in the Veste. From April to October 1530, during the Diet of Augsburg, Martin Luther sought protection at the Veste, as he was under an Imperial ban at the time. Whilst he stayed at the fortress, Luther continued with his work translating the Bible into German. In 1547, Johann Ernst moved the residence of the ducal family to a more convenient and fashionable location, Ehrenburg Palace in the town centre of Coburg. The Veste now only served as a fortification.
In the further splitting of the Ernestine line, Coburg became the seat of the Herzogtum von Sachsen-Coburg, the Duchy of Saxe-Coburg. The first duke was Johann Casimir (1564-1633), who modernized the fortifications. In 1632, the fortress was unsuccessfully besieged by Imperial and Bavarian forces commanded by Albrecht von Wallenstein for seven days during the Thirty Years' War. Its defence was commanded by Georg Christoph von Taupadel. On 17 March 1635, after a renewed siege of five months' duration, the Veste was handed over to the Imperials under Guillaume de Lamboy.
From 1638-72, Coburg and the Veste were part of the Duchy of Saxe-Altenburg. In 1672, they passed to the Dukes of Saxe-Gotha and in 1735 it was joined to the Duchy of Saxe-Saalfeld. Following the introduction of Primogeniture by Duke Franz Josias (1697-1764), Coburg went by way of Ernst Friedrich (1724-1800) to Franz (1750-1806), noted art collector, and to Duke Ernst III (1784-1844), who remodeled the castle.
In 1826, the Duchy of Saxe-Coburg-Gotha was created and Ernst now styled himself 'Ernst I'. Military use of the Veste had ceased by 1700 and outer fortifications had been demolished in 1803-38. From 1838-60, Ernst had the run-down fortress converted into a Gothic revival residence. In 1860, use of the Zeughaus as a prison (since 1782) was discontinued. Through a successful policy of political marriages, the House of Saxe-Coburg and Gotha established links with several of the major European dynasties, including that of the United Kingdom.
The dynasty ended with the reign of Herzog Carl Eduard (1884-1954), also known as Charles Edward, Duke of Saxe-Coburg and Gotha, a grandson of Queen Victoria, who until 1919 also was the 2nd Duke of Albany in the United Kingdom. Under his rule, many changes made to the Veste in the 19th century were reversed under architect Bodo Ebhardt, with the aim of restoring a more authentic medieval look. Along with the other ruling princes of Germany, Carl Eduard was deposed in the revolution of 1918-1919. After Carl Eduard abdicated in late 1918, the Veste came into possession of the state of Bavaria, but the former duke was allowed to live there until his death. The works of art collected by the family were gifted to the Coburger Landesstiftung, a foundation, which today runs the museum.
In 1945, the Veste was seriously damaged by artillery fire in the final days of World War II. After 1946, renovation works were undertaken by the new owner, the Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen.
The Veste is open to the public and today houses museums, including a collection art objects and paintings that belonged to the ducal family of Saxe-Coburg and Gotha, a large collection of arms and armor, significant examples of early modern coaches and sleighs, and important collections of prints, drawings and coins.