The Tombs of the Kings is an impressive necropolis that is located just outside the walls, to the north and east of Paphos town. It was built during the Hellenistic period (3rd century B.C.) to satisfy the needs of the newly founded Nea Paphos. Its name is not connected with the burial of kings, as the royal institution was abolished in 312 B.C., but rather with the impressive character of its burial monuments. The site was the place where the higher administrative officers and distinguished Ptolemaic personalities as well as the members of their families were buried.
The necropolis was continuously used as a burial area during the Hellenistic and Roman periods (200 BC - 300 AD). There is sufficient evidence to support the fact that the first Christians also used the site for their burials, while at the same time the site constituted an endless quarry. Squatters established themselves in some of the tombs during the Medieval period and made alterations to the original architecture.
The existence of the site was already known from the end of the 19th century by Cesnola, who severely looted the tombs. In 1915-16 the then curator of the Cyprus Museum, Markides excavated some shaft tombs, while the honorary curator of Paphos Museum Loizos Philippou started clearance work in a few others tombs in 1937. But it was in 1977 that systematic excavations were undertaken by the Department of Antiquities, which brought to light eight large tomb complexes.
Most of the tombs are characterised by an underground, open aired, peristyled rectangular atrium completely carved into the natural rock. Columns or pillars of the Doric style supported the porticoes, which surrounded the atrium. The burial chambers and the loculi for single burials were dug into the portico walls. It seems that the walls were originally covered with frescoes although today only small fragments are preserved. The tombs' architectural characteristics directly relate them to Hellenistic prototypes from Alexandria, Delos, Pergamon and Priene.References:
The St Sophia's Cathedral was built between 1045-1050 inside the Novgorod Kremlin (fortress). It is one of the earliest stone structures of northern Russia. Its height is 38 m. Originally it was taller, for during the past nine centuries the lower part of the building became concealed by the two-metre thick cultural layer. The cathedral was built by Prince Vladimir, the son of Yaroslav the Wise, and until the 1130s this principal church of the city also served as the sepulchre of Novgorodian princes. For the Novgorodians, St Sophia became synonymous with their town, the symbol of civic power and independence.
The five-domed church looks simpler but no less impressive than its prototype, the thirteen-domed St Sophia of Kiev. The cathedral exterior is striking in its majesty and epic splendour evoking the memories of Novgorod's glorious past and invincible might. In the 11th century it looked more imposing than now. Its facade represented a gigantic mosaic of huge, coarsely trimmed irregular slabs of flagstone and shell rock. In some places (particularly on the apses), the wall was covered with mortar, smoothly polished, drawn up to imitate courses of brick or of whitestone slabs, and slightly coloured. As a result, the facade was not white, as it is today, but multicoloured. The play of stone, decorative painting and the building materials of various texture enhanced the impression of austere simplicity and introduced a picturesque effect.
The two-storied galleries extend along the building's southern, western and northern sides, with a stair-tower constructed at the north-eastern corner. The cathedral has three entrances - the southern, western and northern, of which the western was the main one intended for ceremonial processions. A gate standing at the entrance is known as the Sigtuna Gate (mid-12th century); according to legend, it was brought from the Swedish town of Sigtuna in 1187. The second name of the gate derives from the town of Magdeburg, where it was made. The two leaves are decorated with biblical and evangelical scenes in cast bronze relief. In the lower left corner there are portraits of the craftsmen who created this superb specimen of medieval Western European bronze-work. An inscription in Latin gives their names, Riquin and Weissmut. The small central figure - judging from an inscription in Slavonic - is a representation of the Russian master craftsman Avraam, who assembled the gate.
There is yet another bronze gate in the cathedral, called the Korsun Gate. Made in the 11th century in Chersonesos, Byzantium, it leads from the southern gallery into the Nativity Side-Chapel. Legend has it that the gate was handed over to Novgorod as a gift of Prince Yaroslav the Wise (c. 978 - 1054).
The interior of the cathedral is as majestic as its exterior. It is divided by huge piers into five aisles, three of which end in altar apses. In the south-western corner, inside the tower, there is a wide spiral in relatively small, modest buildings of the 12th - 16th centuries.