Church of Saints Simon and Helen, also known as the Red Church, is a neo-Romanesque church designed by polish architects Tomasz Pajzderski and Władysław Marconi. It was built between 1905-1910. The bricks for its walls were sourced from Częstochowa, whilst the roof tiles came from Włocławek. Its construction was financed by Edward Woyniłłowicz, a prominent Belarusian civic activist. The church was named and consecrated in memory of Woyniłłowicz's deceased children, Szymon and Helena.
In 1903, about 2,000 Minsk's Catholics wrote a petition to local authorities asking for a site to start building new catholic church. This request was satisfied, and construction started in 1905. The church was consecrated on September 20, 1910. On December 21, 1910, the church was opened.
In 1923, the church was robbed by the Red Army and in 1932 it was closed down by the Soviet authorities and transferred to the State Polish Theatre of the BSSR. Before the Second World War, the church was rebuilt into a cinema.
In 1941, the German occupation administration returned to building to its original use as a church, but after the war it was again used as a cinema, called the 'Soviet Belarus.'
In 1990, the building was returned to the Catholic Church. Since then it was renovated, and became an important centre of religious, cultural and social life. It also became a centre for the revived Belarusian Greek Catholic Church.
In 2006, Edward Woyniłowicz, the church's donator who died in 1928 in Bydgoszcz, Poland, was reburied here.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.