Cathedral of Saint Virgin Mary

Minsk, Belarus

Cathedral of the Holy Name of Mary is a Roman Catholic Baroque cathedral. It was built in 1710 as a church for the Jesuit house. In 1793, after the Russian conquest of Belarus, the Jesuit order was banned and the church got a local status. Soon, after creation of the Minsk diocese, the church became the local cathedral.

The Cathedral was heavily damaged in a fire in 1797, but was later fully renewed. In 1869, the Minsk diocese was liquidated and the church got a parafial status. In November 1917, the diocese was restored; Zygmunt Lazinski was appointed as a bishop. In 1920, Lazinski was arrested by Soviet authorities, the cathedral was closed down in 1934.

During the Second World War, the Germans allowed the cathedral to function again, but after the war it was again closed down by the Soviets. In 1951, the cathedral's bell towers were intentionally destroyed by Soviet artillery and the building itself was given to the Spartak sports society.

In the beginning of the 1990s, religious services started again. In 1993, the building was given back to the Roman Catholics; by 1997 it was renewed. In 2005, the church was given a new organ manufactured in Austria. Around the same time, the frescoes created in 18th century were also restored.

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Address

Ploshcha Svabody, Minsk, Belarus
See all sites in Minsk

Details

Founded: 1710
Category: Religious sites in Belarus

More Information

en.wikipedia.org

Rating

4.9/5 (based on Google user reviews)

User Reviews

Марина Кипель (3 years ago)
Светлый, замечательный храм. Можно зайти на Богослужение, либо просто побыть в тишине. Периодически проводятся концерты органной музыки. 13.01 была на концерте хора Солютарис. Очень впечатляет исполнение. Акустика как в храме- великолепная!
Andrea Russo (4 years ago)
Una chiesa cristiana che si trova vicino al monumento del Sindaco e all'edificio City Hall di Minsk. Per raggiungere la chiesa bisogna attraversare una strada abbastanza grande ma nessun problema a farlo. Vista solo esternamente si presenta con due campanili ed è circondata da abitazioni che forse la nascondono un pò rispetto ad altre chiese ed edifici liberi da altri palazzi circostanti. Essa è molto ben curata e sicuramente ne vale la pena visitarla anche internamente.
Artur Buko (4 years ago)
Main Catholic Church in Belarus
Edu Maguiña Quilcate (5 years ago)
Amazing place very nice cathedral.
Gatto Uno (6 years ago)
The church is beautiful and so is the well kept surrounding, it also gets busy with lot of quality restaurants and bars in the area - good place to hang out.
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Saint-Eustache

The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.

The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.

According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.

The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.

The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.

With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.