The Old Hrodna Castle (also known as the Hrodna Upper Castle and Bathory's Castle) dates from the 11th century as the seat of a dynasty of Black Ruthenian rulers, descended from a younger son of Yaroslav the Wise of Kiev. The 13th-century keep of the castle belonged to a type of Belarusian defensive tower represented by the Tower of Kamyanyets. Vytautas the Great added five Brick Gothic towers in 1391-98, transforming the castle into one of his main residences. Casimir IV Jagiellon also favoured Hrodna over Lithuania's official capital. It was there that the Polish Crown was offered to him, and it was there that he died in 1495.
The next notable tenant of the castle was Stephen Báthory who envisaged Hrodna as the capital of his vast empire in Eastern Europe. He engaged Scotto of Parma to replace the Vytautas Castle with his own residence in the advanced Renaissance taste of Northern Italy. After Bathory's death in Hrodna in 1586, his pet project was abandoned. The citadel was devastated by the Russians during a Russo-Polish War in 1655.
The castle's revival was owing to Krzysztof Zygmunt Pac who raised sufficient funds to finance the refurbishing of the royal residence. The restored castle was selected by King Michał Korybut Wiśniowiecki of Poland as the location for every third Sejm of the Polish–Lithuanian Commonwealth. The castle suffered extensive damage during the Great Northern War, forcing the royal court to move into the New Hrodna Castle.
After the partitions of Poland the castle was given over to the Russian army and housed a barracks. The authorities of interwar Poland restored the chamber of the ambassadors and the Sejm Hall. In 1925, the former royal palace opened on historical and archaeological museum. At present the castle is located the main exhibition of Grodno Museum of History and Archeology.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.