The Gialia Monastery is a ruined medieval Georgian Orthodox monastery dedicated to the Virgin Mary. Located in a forest some five kilometers from the coast near the small town of Polis Chrysochous, the ruins were identified, in 1981, by the Georgian scholar Wachtang Djobadze of California State University on the basis of the medieval Georgian accounts. It was not, however, until 2006 that a systematic archaeological research followed after the Georgian and Cypriot governments agreed to jointly investigate the ruins.
It was reported in 2008 that excavation evidence indicated the monastery was commissioned in the late 10th century by Georgian King David III Kuropalates and that renovations were made during the reign of David IV Aghmashenebeli (1089-1125). The monastery is certainly attested in the 12th century, when it was renovated at the behest of Queen Tamar of Georgia (1184-1213). Ancient Georgian sources report that it was in Georgian ownership until the 14th century, and graves and other items uncovered indicate that it was in use between the 14th and 16th centuries. It was reportedly plundered and destroyed in the 16th century, but appears to have been in use as recently as 1935, until final destruction by an earthquake in 1953.
Two main structures have been identified: the earlier Virgin church, and the later St. George's church dated probably to the 11th and 12th centuries respectively. Remains of Georgian paintings and inscriptions from the 13th and 14th century have also survived.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.