Kourion city endured from antiquity until the early Middle Ages. The city has passed through different phases from a Hellenistic, Roman, and Christian periods. For this reason the city has a very large Agora (market place) and you can find an early Christian Basilica as well within the city walls. Furthermore, large public baths which were equipped with cold, warm and hot spas were built. In the large amphitheatre which sits 2000 spectators mostly gladiator games were held, therefore in the city there is Palestra or a training place for gladiators. The whole city has beautiful floor mosaics and they are mostly found in the house of Achileas and the private bath of the founder of the city.
Three kilometers from the city is the sanctuary of Hylates (the Cypriot version of Apollo which has stunning Cypro-Corinthian columns. On the same location there exists place of worship for a woodland god dating back to 6000 BC. In between Kourion and the sanctuary of Apollo a stadium that is around 400 m long is found; this stadium could sit up to 7,000 spectators who would watch ancient Greek sports. This magnificent city is believed to have been destroyed in the 4th century when a series of 5 strong earthquakes hit the city in a period of 80 years, and this inevitably brought an end to the city as it was known.
The Roman Nymphaeum near Kourion is one of the biggest and the most impressive monuments in its kind in the Mediterranean. It was dedicated to the Nymphs, the protectors of water. It consisted of an enormous central edifice, constructed with big hewn limestone blocks. It was built in the 1st century A.D. and remodelled several times later.
The ruins of Kourion are located on one of the most fertile spots in the island, with extensive ruins and including well-preserved mosaics. Interesting places are the public baths, the necropolis, the Fountain House, House of Gladiators and House of Achilles. The most spectacular site at Kourion is the Greco-Roman theatre, or forum, that has been completely restored and is used today for open air musical and theatrical performances. It is one of the venues for the International Festival of Ancient Greek Drama.References:
The original Cochem Castle, perched prominently on a hill above the Moselle River, served to collect tolls from passing ships. Modern research dates its origins to around 1100. Before its destruction by the French in 1689, the castle had a long and fascinating history. It changed hands numerous times and, like most castles, also changed its form over the centuries.
In 1151 King Konrad III ended a dispute over who should inherit Cochem Castle by laying siege to it and taking possession of it himself. That same year it became an official Imperial Castle (Reichsburg) subject to imperial authority. In 1282 it was Habsburg King Rudolf’s turn, when he conquered the Reichsburg Cochem and took it over. But just 12 years later, in 1294, the newest owner, King Adolf of Nassau pawned the castle, the town of Cochem and the surrounding region in order to finance his coronation. Adolf’s successor, Albrecht I, was unable to redeem the pledge and was forced to grant the castle to the archbishop in nearby Trier and the Electorate of Trier, which then administered the Reichsburg continuously, except for a brief interruption when Trier’s Archbishop Balduin of Luxembourg had to pawn the castle to a countess. But he got it back a year later.
The Electorate of Trier and its nobility became wealthy and powerful in large part due to the income from Cochem Castle and the rights to shipping tolls on the Moselle. Not until 1419 did the castle and its tolls come under the administration of civil bailiffs (Amtsmänner). While under the control of the bishops and electors in Trier from the 14th to the 16th century, the castle was expanded several times.
In 1688 the French invaded the Rhine and Moselle regions of the Palatinate, which included Cochem and its castle. French troops conquered the Reichsburg and then laid waste not only to the castle but also to Cochem and most of the other surrounding towns in a scorched-earth campaign. Between that time and the Congress of Vienna, the Palatinate and Cochem went back and forth between France and Prussia. In 1815 the western Palatinate and Cochem finally became part of Prussia once and for all.
Louis Jacques Ravené (1823-1879) did not live to see the completion of his renovated castle, but it was completed by his son Louis Auguste Ravené (1866-1944). Louis Auguste was only two years old when construction work at the old ruins above Cochem began in 1868, but most of the new castle took shape from 1874 to 1877, based on designs by Berlin architects. After the death of his father in 1879, Louis Auguste supervised the final stages of construction, mostly involving work on the castle’s interior. The castle was finally completed in 1890. Louis Auguste, like his father, a lover of art, filled the castle with an extensive art collection, most of which was lost during the Second World War.
In 1942, during the Nazi years, Ravené was forced to sell the family castle to the Prussian Ministry of Justice, which turned it into a law school run by the Nazi government. Following the end of the war, the castle became the property of the new state of Rheinland-Pfalz (Rhineland-Palatinate). In 1978 the city of Cochem bought the castle for 664,000 marks.