Kourion city endured from antiquity until the early Middle Ages. The city has passed through different phases from a Hellenistic, Roman, and Christian periods. For this reason the city has a very large Agora (market place) and you can find an early Christian Basilica as well within the city walls. Furthermore, large public baths which were equipped with cold, warm and hot spas were built. In the large amphitheatre which sits 2000 spectators mostly gladiator games were held, therefore in the city there is Palestra or a training place for gladiators. The whole city has beautiful floor mosaics and they are mostly found in the house of Achileas and the private bath of the founder of the city.
Three kilometers from the city is the sanctuary of Hylates (the Cypriot version of Apollo which has stunning Cypro-Corinthian columns. On the same location there exists place of worship for a woodland god dating back to 6000 BC. In between Kourion and the sanctuary of Apollo a stadium that is around 400 m long is found; this stadium could sit up to 7,000 spectators who would watch ancient Greek sports. This magnificent city is believed to have been destroyed in the 4th century when a series of 5 strong earthquakes hit the city in a period of 80 years, and this inevitably brought an end to the city as it was known.
The Roman Nymphaeum near Kourion is one of the biggest and the most impressive monuments in its kind in the Mediterranean. It was dedicated to the Nymphs, the protectors of water. It consisted of an enormous central edifice, constructed with big hewn limestone blocks. It was built in the 1st century A.D. and remodelled several times later.
The ruins of Kourion are located on one of the most fertile spots in the island, with extensive ruins and including well-preserved mosaics. Interesting places are the public baths, the necropolis, the Fountain House, House of Gladiators and House of Achilles. The most spectacular site at Kourion is the Greco-Roman theatre, or forum, that has been completely restored and is used today for open air musical and theatrical performances. It is one of the venues for the International Festival of Ancient Greek Drama.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.