The mendicant order of Augustinian hermits had a monastery in the Augustinerstrasse from 1260 until 1802. The one-aisled church was newly constructed, together with the monastery, from 1768 to 1772. The Diocesan Priests’ Seminary has been located here since 1805. The ornamentation of the church is so rich because patrons generously supported the work: The Elector did not want a “peasants’ church” in his residence city. The façade shows the vivid forms of Main-Franconian baroque and a Coronation of the Virgin by the Mainz sculptor Nikolaus Binterim. In the interior, the painter Johann Baptist Enderle from Donauwörth glorified the life of the Father of the Church, Augustine, in large, bright ceiling frescos. Johann Heinrich Stumm built the divided organ with the centre window in1773; it is one of the few surviving instruments of this dynasty of organ builders.
A lime wood sculpture from 1420 smiles out of a niche between the south side altars: Mary with the Child Jesus playing – an unusual work of Gothic art in its brightness which is assigned to the “soft style”. The highly venerated miraculous image was rescued from the burning Church of Our Lady in 1793. In the high altar is an iconographic rarity: At the death of Christ, God the Father lets “Mankind’s certificate of debt” be torn up by a putto.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.