Kloster Eberbach was founded in 1136 by Bernard of Clairvaux as the first Cistercian monastery on the east bank of the Rhine, on the site of a previous monastic foundation of Adalbert of Mainz, which had been occupied at first by Augustinian canons and then by Benedictine monks, which had however failed to establish itself.

Eberbach soon became one of the largest and most active monasteries of Germany. At its height in the 12th and 13th centuries, the population is estimated to have been about 100 monks and over 200 lay brothers.

Eberbach Abbey was also very successful economically, principally as a result of profits from the cultivation of vineyards and the production of wine. At least 14 members of the family of the Counts of Katzenelnbogen were buried in the church. Among them was Count Johann IV of Katzenelnbogen, who was the first to plant Riesling vines, in a new vineyard in the nearby village of Rüsselsheim, when the monks of Eberbach were still growing red grapes such as Grobrot, the earliest grape variety recorded in Eberbach.

The abbey suffered severe damage during the Thirty Years' War, beginning with the attack of the Swedish army in 1631. Many valuable items from the church and the library were looted, and the monks were forced to flee, of whom only 20 returned in 1635 to begin a laborious reconstruction.

The 18th century however was a period of great economic success: surviving accounts show that the abbey profits were regularly invested on the Frankfurt money market. The final decline set in with the French Revolution. After the Reichsdeputationshauptschluss the abbey was dissolved on 18 September 1803 and with its assets and territory became the property of Prince Friedrich Augustus of Nassau-Usingen.

The lands passed from Nassau-Usingen in 1866 to Prussia, and from 1945 have formed part of the State of Hesse. The premises were put to a variety of uses. A lunatic asylum was accommodated here until 1873 (the forerunner of the Zentrum für Soziale Psychiatrie Rheinblick) and until 1912 a prison. Management of the vineyards and wine production has continued in state hands. After considerable structural work Eberbach serves inter alia as a venue of international importance for cultural events and displays, and as a film location, as for example for Umberto Eco's The Name of the Rose (1985).

The buildings form one of the most impressive monastic sites in Germany, preserving structures of the highest quality from the Romanesque, Gothic and Baroque periods. A list of goods, the 'Oculus Memoriae', survives from as early as the year 1211, giving information on the possessions and premises of the abbey complex. The abbey church is a three-aisled Romanesque basilica with transept, containing the tombs of some of the Archbishops of Mainz.

On the night of 26 April 2005 the abbey suffered severe damage from flooding. This was due to heavy rain, which caused the Kisselbach river to overflow its banks, and the increased volume of water brought about the collapse of the 18th century storm drain under the abbey.

References:

Comments

Your name

Website (optional)



Details

Founded: 1136
Category: Religious sites in Germany
Historical period: Hohenstaufen Dynasty (Germany)

Rating

4.5/5 (based on Google user reviews)

User Reviews

Douglas Sherrod (15 months ago)
Beautiful Monastery. A must visit with tour guide.
Eric Magnell (2 years ago)
We had a great time at the Abbey. The tour and wine tasting was interesting and fun. Our dinner was delicious. Definitely recommended.
Ștefan - Gabriel Munteanu (2 years ago)
Nice place to taste good wine.
Charles Shinn (2 years ago)
Wife and I went here for a lunch date. Had a blast. Would recommend to anyone.
BrianK Woolven (2 years ago)
An interesting site, made more enjoyable by an English-speaking guided tour, which also included wine tasting. Bought some of the wines from the shop too!
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Kromeriz Castle and Gardens

Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.

The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).

It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.

After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.

UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.

Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.