History of Germany between 1740 - 1788
The dominant factor in 18th-century German history was undoubtedly the emergence of Prussia as the main rival to Austria, which had long been the leading state within the German empire. Prussia grewin stature for several reasons - through Frederick the Great's seizure of the rich province of Silesia, through the personal prestige acquired by Frederick himself, and through the vast gain of territory in the successive partitions of Poland. But certain other states were also be identified at this time as likely players in the struggles which will eventually lead, in the 19th century, to a united Germany.
Saxony began the 18th century as a very significant power. The state was weakened in subsequent decades, through disastrous involvement in Poland and because it was between the arch-rivals Prussia and Austria. Even so, Saxony's size and large population gave it an undeniable importance.
Hanover acquired an entirely new stature during the century, from the personal link with Britain after the elector succeeds to the British throne in 1714 as George I. In the wars of the 18th century Hanover had a special importance and exposure, as Britain's continental outpost.
Bavaria, ruled by the Wittelsbachs, had played a major role in German history from early medieval times. In recent centuries a division between two branches of the family had somewhat reduced its status. From 1329 the western region went its own way as the Palatinate of the Rhine. The split was accentuated in the Reformation, when the Palatinate becomes Protestant while Bavaria remains Roman Catholic.
The Palatinate returned to the Catholic fold in 1685, and by the end of the 18th century this line has recovered the entire inheritance. In 1777 the Bavarian line of the dynasty died out. The region was reunited under the rule of the Palatine branch.
In the War of Austrian Succession (1740–1748) Maria Theresa fought successfully for recognition of her succession to the throne. But in the Silesian Wars and in the Seven Years' War she had to cede 95 percent of Silesia to Frederick the Great of Prussia. After the Peace of Hubertsburg in 1763 between Austria, Prussia and Saxony, Prussia won recognition as a great power, thus launching a century-long rivalry with Austria for the leadership of the German peoples.
In 1772–1795 Prussia took the lead in the partitions of Poland, with Austria and Russia splitting the rest. Prussia occupied the western territories of the former Polish–Lithuanian Commonwealth that surrounded existing Prussian holdings. This occupation led over a century of Polish resistance until Poland again became independent in 1918.
Before 1750 the German upper classes looked to France for intellectual, cultural and architectural leadership; French was the language of high society. By the mid-18th century the Enlightenment had transformed German high culture in music, philosophy, science and literature. Christian Wolff (1679–1754) was the pioneer as a writer who expounded the Enlightenment to German readers; he legitimized German as a philosophic language. German music, sponsored by the upper classes, came of age under composers Johann Sebastian Bach (1685–1750), Joseph Haydn (1732–1809), and Wolfgang Amadeus Mozart (1756–1791).
In remote Königsberg philosopher Immanuel Kant (1724–1804) tried to reconcile rationalism and religious belief, individual freedom, and political authority. Kant's work contained basic tensions that would continue to shape German thought – and indeed all of European philosophy – well into the 20th century.
The German Enlightenment won the support of princes, aristocrats, and the middle classes, and it permanently reshaped the culture.
From 1763, against resistance from the nobility and citizenry, an "enlightened absolutism" was established in Prussia and Austria, according to which the ruler governed according to the best precepts of the philosophers. The economies developed and legal reforms were undertaken, including the abolition of torture and the improvement in the status of Jews. Emancipation of the peasants slowly began. Compulsory education was instituted.
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.