The Monument of Remembrance, usually known by the nickname of the Gëlle Fra (Luxembourgish for 'Golden Lady'), is a war memorial dedicated to the thousands of Luxembourgers who volunteered for service in the armed forces of the Allied Powers during World War I.
The centrepiece of the monument is a 21 metre-tall granite obelisk. Atop of the obelisk stands a gilded bronze statue of a lady, holding out a laurel wreath as if placing it upon the head of the nation. At the foot of the obelisk are two (ungilded) bronze figures, representing those Luxembourgish soldiers that volunteered to serve for France; one lies at the base of the statue, having died in service of his country, whilst the other sits, mourning his dead compatriot.
The sculptor of the three bronze figures was Claus Cito, a native Luxembourger. The model for the Gëlle Fra is unknown. The monument was opened in 1923.
During the First World War, Luxembourg pledged itself to neutrality, but was occupied by Germany, which justified its actions by citing military necessity. However, most Luxembourgers did not believe Germany's good intentions, fearing that Germany would annex their country in the event of a German victory; these claims were substantiated by Bethmann Hollweg's Septemberprogramm.
When Luxembourg was occupied by Nazi forces in World War II, the Germans dismantled the memorial on the 21st October 1940. Several portions of the memorial were rescued, and after the war, the monument was partially restored. The Gëlle Fra herself however remained unaccounted for until January 1980 when she was found hidden beneath the main stand of the national football stadium. Later additions were made to honor Luxembourger forces who had served in World War II and the Korean War.
The monument was not fully reconstructed and restored to its original design until 1984 and then finally unveiled to the public in the presence of Grand Duke Jean on the 23rd June 1985, Luxembourg's national holiday.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.