Schloss Thorn is a former castle, that has been turned into a stately home. The history of the castle dates from the ancient times. Due to the existence of a ford here, the Romans built a guard tower on a protruding rock here to protect and observe the crossing. This tower would give the later medieval castle its name, the Latin 'turris' meaning 'tower'.
Schloss Thorn was built on the ruins of the probably rectangular, medieval castle guarded by round corner towers. Until the 16th century it was a fief of the lords of Rollingen (hereditary marshals of Luxembourg) to the lords of Bübingen. Then it passed to the ownership of the lords of Musiel, where it remained until the end of the 19th century. It had become decrepit by the end of the 15th century, and was rebuilt in 1536 by the new owner apart from two towers and a part of the defensive wall. In 1800, it was rebuilt by the owning family into more of a stately home and the old defensive buildings were turned into garden terraces.
One of the two towers left after the 16th century renovations, the round tower at the south-eastern corner was destroyed by bombardment in 1945. The second, a rectangular tower that used to be inhabitable, is now a gate tower.
Due to the rebuilding and renovation work carried over hundreds of years, the castle now shows characteristics of the architectural styles of the Middle Ages, through to the Renaissance, Baroque and Empire styles.
Schloss Thorn is still in use as a residence today, owned by the Barons von Hobe-Gelting. The wine is produced from the surrounding vineyards, which have been family-owned since 1534. It is the oldest castle vineyard on the Moselle and also has the only preserved tree wine press of Europe.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.