Petrusse Casemates origin goes back to 1644, when the Spaniards reinforced the medieval fortifications. Under the supervision of the Swiss fortress builder Isaac von Treybach, they built - among other defence works-the powerful Beck Bastion, named after Governor Baron Johann von Beck, a native of the city who had played a key role in the Wallenstein affair on the side of the Emperor. Initially this bastion was as high as the adjacent terraces on the right; it was raised to the present level of Constitution Square (the wall is 27 meters high) by Vauban in 1685.
In 1673 the Spaniards erected the so-called 'Ravelin du Pate' to strengthen the defence of the Beck Bastion; this triangular construction is one of the few well-kept fortifications. Marshall de Vauban conferred the present shape to all the Petrusse fortifications and built the 'Small Staircase'. From 1728-29 the Austrians added the 'Bourbon Lock' and the 'Large Staircase' and in 1746 the casemates of the 'Petrusse Battery' (54 gun emplacements).
One century passed and the fortress was enlarged and reinforced: the second ring was extended and the third started, so that Luxembourg became the 'Gibraltar of the North'. By and by, the Petrusse fortifications fell into oblivion and neglect, as their strategic momentum limited itself to the valley. After the dismantling, stipulated by the 1867 London Treaty, they confined themselves to walling up the loopholes and most entrances. In 1933 the Petrusse casemates were opened to the public.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.