Top historic sites in Bratislava
Bratislava Old Town
The Old Town of Bratislava contains the small, but preserved medieval city center, Bratislava Castle and other important landmarks. Bratislava"s Old Town is known for its many churches, a riverbank promenade and cultural institutions, it is also the location of most of the foreign states embassies and important Slovak institutions, the Summer Archbishop"s Palace, seat of the Government of Slovakia and Grassalkov ...Bratislava City Museum
The Bratislava City Museum was established in 1868. Its headquarters are located in the Old Town, near the Main Square at the Old Town Hall. The museum documents the history of Bratislava from the earliest periods until the 20th century. The Bratislava City Museum is the oldest museum in continuous operation in Slovakia.Bratislava Castle
Bratislava Castle has been a dominant feature of the city for centuries and it is the national monument of Slovakia. The castle, like today's city, has been inhabited for thousands of years, because it is strategically located in the center of Europe at a passage between the Carpathians and the Alps and at an important ford used to cross the Danube river. Early History The people of the Boleráz culture were the first k ...Devín Castle
Devín Castle is a national cultural monument of Slovakia and one of the oldest fortifications in the country. Owing to its strategic position, the cliff (altitude of 212 meters) at the confluence of the Danube and Morava rivers was an ideal place for a fort. Its owner could control the important trade route along the Danube as well as one branch of the Amber Road. That is why the site has been settled since the Neolithic ...St. Martin's Cathedral
Bratislava"s three-nave Gothic cathedral is built on the site of a previous, Romanesque church, from 1221. After 1291, when Bratislava was given the privileges of a town, the church was rebuilt to become part of the city walls (its tower served as a defensive bastion). The present church was consecrated in 1452. The interior of the church is large – 69.37 metres long, 22.85 metres wide and 16.02 metres high &nd ...St. Elisabeth Church
The Church of St. Elizabeth, commonly known as Blue Church is consecrated to Elisabeth of Hungary, daughter of Andrew II, who grew up in the Pressburg Castle (pozsonyi vár). It is called 'Blue Church' because of the colour of its façade, mosaics, majolicas and blue-glazed roof. The one-nave church was built in 1907-1908, four years after the plans of Ödön Lechner to build a church in the Hungarian Art Nouveau style. ...Grassalkovich Palace
The Grassalkovich Palace is the residence of the president of Slovakia. The building is a Rococo/late Baroque summer palace with a French garden. It was built in 1760 for Count Antal Grassalkovich, a Hungarian noble serving as the head of the Hungarian Chamber (a sort of ministry of economy and finance for the Kingdom of Hungary), by architect Anton Mayerhofer. It features many beautiful rooms and an impressive staircase. ...Slavín Memorial Monument
Slavín is a memorial monument and military cemetery in Bratislava. It is the burial ground of 6,845 Soviet Army soldiers who fell during World War II while liberating the city in April 1945 from the occupying German Wehrmacht units and the remaining Slovak troops who supported the clero-fascist Tiso government. It is situated on a hill amidst a rich villa quarter of the capital and embassy residences close to the c ...Gerulata
Gerulata was a Roman military camp located near today"s Rusovce, a borough of Bratislava. It was part of the Roman province Pannonia and built in the 2nd century as a part of the Limes Romanus system. It was abandoned in the 4th century, when Roman legions withdrew from Pannonia. Today there is a museum, which is part of the Bratislava City Museum. The most preserved object is a quadrilateral building 30 metres long ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Royal Palace of Aranjuez
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
Real Casa del Labrador
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
King's Garden, the Island Garden, Parterre Garden and the Prince's Garden
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.