Trenèín Castle is relatively large renovated castle, towering on a steep limestone cliff directly above the city of Trenèín. It is a dominant feature not only of Trenèín, but also of the entire Považie region. The castle is a national monument.
History of the castle cliff dates back to the Roman Empire, what is proved by the inscription on the castle cliff proclaiming the victory of Roman legion against Germans in the year 179.
Today’s castle was probably built on the hill-fort. The first proven building on the hill was the Great Moravian rotunda from the 9th century and later there was a stone residential tower, which served to protect the Kingdom of Hungary and the western border. In the late 13th century the castle became a property of Palatine Matúš Csák, who became Mr. of Váh and Tatras.
Matúš Csák of Trenèín built a tower, still known as Matthew’s, which is a dominant determinant of the whole building. Another owner of the castle, Sigismund of Luxemburg, built a new palace and a chapel in the 15th century. All these buildings have been restored and are now used for museum purposes.
The 15th century was the century of fortification reinforcement, caused byHussite ventures, which directed to Slovakia. In the late 15th century, the castle together with the entire town belonged to Stephen Zápoµský, who began extensive alterations.
Trenèín Castle, together with the Spiš Castle and Devín Castle, belonged to the largest European castles in 1540-1560. At that time a star-defense artillery was built and modernized in accordance with historical patterns. The silhouette of the castle has changed – tall Gothic roofs were exchanged for horizontal Renaissance attics with swallow-tails, which were typical Italian elements of the 16th century. The castle was damaged during a fire in 1790. Nowadays, the castle is under a complex reconstruction. Restored objects are progressively used for museum purposes and for exposures.
A unique view offers from the Matthew’s tower. It offers an open view to the White Carpathian Mountains. Spaces of the Matthew’s tower document the housing of the nobility in the mid of the 11th century. Barbora’s palace interior and the cannon bastion have a modern renovated vault system.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.