Trenèín Castle is relatively large renovated castle, towering on a steep limestone cliff directly above the city of Trenèín. It is a dominant feature not only of Trenèín, but also of the entire Považie region. The castle is a national monument.
History of the castle cliff dates back to the Roman Empire, what is proved by the inscription on the castle cliff proclaiming the victory of Roman legion against Germans in the year 179.
Today’s castle was probably built on the hill-fort. The first proven building on the hill was the Great Moravian rotunda from the 9th century and later there was a stone residential tower, which served to protect the Kingdom of Hungary and the western border. In the late 13th century the castle became a property of Palatine Matúš Csák, who became Mr. of Váh and Tatras.
Matúš Csák of Trenèín built a tower, still known as Matthew’s, which is a dominant determinant of the whole building. Another owner of the castle, Sigismund of Luxemburg, built a new palace and a chapel in the 15th century. All these buildings have been restored and are now used for museum purposes.
The 15th century was the century of fortification reinforcement, caused byHussite ventures, which directed to Slovakia. In the late 15th century, the castle together with the entire town belonged to Stephen Zápoµský, who began extensive alterations.
Trenèín Castle, together with the Spiš Castle and Devín Castle, belonged to the largest European castles in 1540-1560. At that time a star-defense artillery was built and modernized in accordance with historical patterns. The silhouette of the castle has changed – tall Gothic roofs were exchanged for horizontal Renaissance attics with swallow-tails, which were typical Italian elements of the 16th century. The castle was damaged during a fire in 1790. Nowadays, the castle is under a complex reconstruction. Restored objects are progressively used for museum purposes and for exposures.
A unique view offers from the Matthew’s tower. It offers an open view to the White Carpathian Mountains. Spaces of the Matthew’s tower document the housing of the nobility in the mid of the 11th century. Barbora’s palace interior and the cannon bastion have a modern renovated vault system.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.