Trenèín Castle is relatively large renovated castle, towering on a steep limestone cliff directly above the city of Trenèín. It is a dominant feature not only of Trenèín, but also of the entire Považie region. The castle is a national monument.
History of the castle cliff dates back to the Roman Empire, what is proved by the inscription on the castle cliff proclaiming the victory of Roman legion against Germans in the year 179.
Today’s castle was probably built on the hill-fort. The first proven building on the hill was the Great Moravian rotunda from the 9th century and later there was a stone residential tower, which served to protect the Kingdom of Hungary and the western border. In the late 13th century the castle became a property of Palatine Matúš Csák, who became Mr. of Váh and Tatras.
Matúš Csák of Trenèín built a tower, still known as Matthew’s, which is a dominant determinant of the whole building. Another owner of the castle, Sigismund of Luxemburg, built a new palace and a chapel in the 15th century. All these buildings have been restored and are now used for museum purposes.
The 15th century was the century of fortification reinforcement, caused byHussite ventures, which directed to Slovakia. In the late 15th century, the castle together with the entire town belonged to Stephen Zápoµský, who began extensive alterations.
Trenèín Castle, together with the Spiš Castle and Devín Castle, belonged to the largest European castles in 1540-1560. At that time a star-defense artillery was built and modernized in accordance with historical patterns. The silhouette of the castle has changed – tall Gothic roofs were exchanged for horizontal Renaissance attics with swallow-tails, which were typical Italian elements of the 16th century. The castle was damaged during a fire in 1790. Nowadays, the castle is under a complex reconstruction. Restored objects are progressively used for museum purposes and for exposures.
A unique view offers from the Matthew’s tower. It offers an open view to the White Carpathian Mountains. Spaces of the Matthew’s tower document the housing of the nobility in the mid of the 11th century. Barbora’s palace interior and the cannon bastion have a modern renovated vault system.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.