The construction of Põltsamaa Castle was started in 1272. Between 1570 and 1578 it was the residence of Livonia's King Magnus. Repeatedly pillages, the castle was rebuilt by Woldemar Johann von Lauw in 1770 as a grand rococo-style palace. The castle, and the church built into its cannon tower, burnt down in 1941.
Põltsamaa St. Nicholas' Church was built from 1632 to 1633 on the site of earlier buildings. The nave was built on the 13th century gate buildings and the sanctuary on the 15th century cannon tower. The church was restored by 1952, and the castle ruins came under preservation during the 1970s.
Today the round courtyard holds a tourist information point and several museums including Põltsamaa Museum and a wine cellar with a food museum. There are also an art gallery, restaurant, handicraft and other workshops.
References: VisitEstonia, Aviastar.org
Fisherman's Bastion is a terrace in neo-Gothic and neo-Romanesque style situated on the Buda bank of the Danube, on the Castle hill in Budapest, around Matthias Church. It was designed and built between 1895 and 1902 on the plans of Frigyes Schulek. Construction of the bastion destabilised the foundations of the neighbouring 13th century Dominican Church which had to be pulled down. Between 1947–48, the son of Frigyes Schulek, János Schulek, conducted the other restoration project after its near destruction during World War II.
From the towers and the terrace a panoramic view exists of Danube, Margaret Island, Pest to the east and the Gellért Hill.
Its seven towers represent the seven Magyar tribes that settled in the Carpathian Basin in 896.
The Bastion takes its name from the guild of fishermen that was responsible for defending this stretch of the city walls in the Middle Ages. It is a viewing terrace, with many stairs and walking paths.
A bronze statue of Stephen I of Hungary mounted on a horse, erected in 1906, can be seen between the Bastion and the Matthias Church. The pedestal was made by Alajos Stróbl, based on the plans of Frigyes Schulek, in Neo-Romanesque style, with episodes illustrating the King's life.