The Citadel of Lille is a pentagonal citadel built between 1667-1670. It is one of the most notable citadels designed by Sébastien Le Prestre de Vauban, the famous military engineer. It is remarkable for its size, the quality of the architecture, and the state of preservation today.
This 'Queen of Citadels' is the matrix of most citadels designed by Vauban. Established on the border of Flanders, it was part of a double-line of fortified towns between Gravelines, Dunkirk and Maubeuge-Rocroi. It delineated the famous Pré Carré ('square field') conceived by Vauban comprising 28 fortified cities. From Lille, Vauban supervised the construction of the many citadels and canals of the North, which controlled the border between France and Belgium.
Lille was taken from Spain by French troops in August 1667, and Louis XIV immediately ordered the construction of a fortress. Louis Nicolas de Clerville and Vauban proposed plans. Vauban are those which were chosen by the King. Work was started in 1668 under the direction of Lille"s master mason Simon Vollant. In 1671, the citadel was operational while Vauban continued to shape the city by constructing, a few steps away, a new neighborhood around the Rue Royale. The design of the citadel follows a simple but very effective idea: not one of its walls can be approached by the enemy without that being under fire from a nearby wall.
The citadel was constructed to the west of the city on marshland at the junction of the rivers Deûle and Bucquet. This allowed the use of swamp water and mud as a natural defense to make conditions more difficult for any possible enemy besieging the citadel. Through a system of locks and water gates, 1,700 hectares around the citadel could be flooded to a depth of 55 cm. A wide esplanade interrupted the plans, connecting the fort to the city. In 1750, a canal along the esplanade was drilled according to the plans drawn up by Vauban.References:
Built around AD 90 to entertain the legionaries stationed at the fort of Caerleon (Isca), the impressive amphitheatre was the Roman equivalent of today’s multiplex cinema. Wooden benches provided seating for up to 6,000 spectators, who would gather to watch bloodthirsty displays featuring gladiatorial combat and exotic wild animals.
Long after the Romans left, the amphitheatre took on a new life in Arthurian legend. Geoffrey of Monmouth, the somewhat imaginative 12th-century scholar, wrote in his History of the Kings of Britain that Arthur was crowned in Caerleon and that the ruined amphitheatre was actually the remains of King Arthur’s Round Table.
Today it is the most complete Roman amphitheatre in Britain.