Trnava is also referred to as the Slovak Rome due its architectural gems and sacral monuments. As early as in the Middle Ages, Trnava was an important centre of Gothic religious and lay architecture – St. Nicolas’s Church, St. Helen’s Church and several church monastery complexes (Clarist, Franciscan and Dominican) were built in this period. The document issued by King Belo IV in 1238, which contained privileges of the free royal borough for Trnava as the first Slovak town, is much more important in respect. Only several towns of central Europe can boast such large section of castle walls as that surviving in the eastern and western parts of the town core. For their high level of preservation the walls are unique and significant monuments of the kind in terms of Europe. Fortifications are from the 13th to 16th centuries.
The dominant of the square and in fact of the town, is the town tower. Master Jacob built it in 1574 on Gothic foundations and its view terrace provides a perfect view of Trnava and its environs.
The Early Baroque building of national significance, university church of St. John the Baptist is one of the most valuable historical monuments of Trnava. The monumental wooden main altar from 1640 dominates in its interior. Additional buildings including the college, grammar school, university, seminars and refectories accompany the university church.
Another Gothic monument, St. Nicholas Basilica, parish church stands on the square Námestie Sv. Mikuláša on the site of an older Romanesque church from the 14th century. It was a cathedral church of the Esztergom Archbishop in the years 1543-1820. Trnava is the first Slovak metropolitan seat of archbishop since 1978.
The District hospital was built 1824. The building of the theatre started in May 1831 and the first performance was played at Christmas. Both of the Trnava synagogues, historical structures with oriental motifs, date back to the 19th century. The Synagogue Status Quo Ante currently houses the Jána Koniareka art gallery.References:
Built around AD 90 to entertain the legionaries stationed at the fort of Caerleon (Isca), the impressive amphitheatre was the Roman equivalent of today’s multiplex cinema. Wooden benches provided seating for up to 6,000 spectators, who would gather to watch bloodthirsty displays featuring gladiatorial combat and exotic wild animals.
Long after the Romans left, the amphitheatre took on a new life in Arthurian legend. Geoffrey of Monmouth, the somewhat imaginative 12th-century scholar, wrote in his History of the Kings of Britain that Arthur was crowned in Caerleon and that the ruined amphitheatre was actually the remains of King Arthur’s Round Table.
Today it is the most complete Roman amphitheatre in Britain.