The Conciergerie is a former prison and part of the former royal palace, the Palais de la Cité, which consisted of the Conciergerie, Palais de Justice and the Sainte-Chapelle. Hundreds of prisoners during the French Revolution were taken from the Conciergerie to be executed on the guillotine at a number of locations around Paris.
The west part of the island was originally the site of a Merovingian palace, and was initially known as the Palais de la Cité. From the 10th to the 14th centuries it was the seat of the medieval Kings of France. Under Louis IX (Saint Louis) (1214–1270) and Philip IV (Philip the Fair) (1284–1314) the Merovingian palace was extended and more heavily fortified. Louis IX added the Sainte-Chapelle and associated galleries, while Philippe IV created the towered facade on the river side and a large hall. Both are excellent examples of French religious and secular architecture of the period.
The early Valois kings continued to improve the palace in the 14th century, but Charles V abandoned the palace in 1358, moving across the river to the Louvre. The palace continued to serve an administrative function, and still included the chancellery and French Parliament. In the king's absence, he appointed a concierge to hold command of the palace. This was a very high ranking office, and could be considered the housekeeper for the king. In 1391 part of the building was converted for use as a prison, and took its name from the ruling office. Its prisoners were a mixture of common criminals and political prisoners.
Three towers survive from the medieval Conciergerie: the Caesar Tower, named in honor of the Roman Emperors; the Silver Tower, so named for its (alleged) use as the store for the royal treasure; and the Bonbec ('good beak') Tower, which obtained its name from the torture chamber that it housed, in which victims were encouraged to 'sing'. The building was extended under later kings with France's first public clock being installed around 1370. The current clock dates from 1535. The concierge or keeper of the royal palace, gave the place its eventual name.
Despite lasting only ten months, the Reign of Terror (September 1793-July 1794) had a profound impact on France. More than 40,000 people died from execution and imprisonment, and France would not be a republic again for nearly half a century.
After the Restoration of the Bourbons in the 19th century, the Conciergerie continued to be used as a prison for high-value prisoners, most notably the future Napoleon III. Marie Antoinette's cell was converted into a chapel dedicated to her memory. The Conciergerie and Palais de Justice underwent major rebuilding in the mid-19th century, totally altering their external appearance. While the building looks like a brooding medieval fortress, this appearance actually only dates from about 1858.
The Conciergerie was decommissioned in 1914 and was opened to the public as a national historical monument. It is today a popular tourist attraction, although only a relatively small part of the building is open to public access; much of it is still used for the Paris law courts.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.