The Conciergerie is a former prison and part of the former royal palace, the Palais de la Cité, which consisted of the Conciergerie, Palais de Justice and the Sainte-Chapelle. Hundreds of prisoners during the French Revolution were taken from the Conciergerie to be executed on the guillotine at a number of locations around Paris.
The west part of the island was originally the site of a Merovingian palace, and was initially known as the Palais de la Cité. From the 10th to the 14th centuries it was the seat of the medieval Kings of France. Under Louis IX (Saint Louis) (1214–1270) and Philip IV (Philip the Fair) (1284–1314) the Merovingian palace was extended and more heavily fortified. Louis IX added the Sainte-Chapelle and associated galleries, while Philippe IV created the towered facade on the river side and a large hall. Both are excellent examples of French religious and secular architecture of the period.
The early Valois kings continued to improve the palace in the 14th century, but Charles V abandoned the palace in 1358, moving across the river to the Louvre. The palace continued to serve an administrative function, and still included the chancellery and French Parliament. In the king's absence, he appointed a concierge to hold command of the palace. This was a very high ranking office, and could be considered the housekeeper for the king. In 1391 part of the building was converted for use as a prison, and took its name from the ruling office. Its prisoners were a mixture of common criminals and political prisoners.
Three towers survive from the medieval Conciergerie: the Caesar Tower, named in honor of the Roman Emperors; the Silver Tower, so named for its (alleged) use as the store for the royal treasure; and the Bonbec ('good beak') Tower, which obtained its name from the torture chamber that it housed, in which victims were encouraged to 'sing'. The building was extended under later kings with France's first public clock being installed around 1370. The current clock dates from 1535. The concierge or keeper of the royal palace, gave the place its eventual name.
Despite lasting only ten months, the Reign of Terror (September 1793-July 1794) had a profound impact on France. More than 40,000 people died from execution and imprisonment, and France would not be a republic again for nearly half a century.
After the Restoration of the Bourbons in the 19th century, the Conciergerie continued to be used as a prison for high-value prisoners, most notably the future Napoleon III. Marie Antoinette's cell was converted into a chapel dedicated to her memory. The Conciergerie and Palais de Justice underwent major rebuilding in the mid-19th century, totally altering their external appearance. While the building looks like a brooding medieval fortress, this appearance actually only dates from about 1858.
The Conciergerie was decommissioned in 1914 and was opened to the public as a national historical monument. It is today a popular tourist attraction, although only a relatively small part of the building is open to public access; much of it is still used for the Paris law courts.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.