The Church of St Eustace was built between 1532-1632. St Eustace's is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d'Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L'écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz' titanic Te Deum to be performed at St-Eustache in 1855.References:
Eketorp is an Iron Age fort in southeastern Öland, which was extensively reconstructed and enlarged in the Middle Ages. Throughout the ages the fortification has served a variety of somewhat differing uses: from defensive ringfort, to medieval safe haven and thence a cavalry garrison. In the 20th century it was further reconstructed to become a heavily visited tourist site and a location for re-enactment of medieval battles. Eketorp is the only one of the 19 known prehistoric fortifications on Öland that has been completely excavated, yielding a total of over 24,000 individual artifacts. The entirety of southern Öland has been designated as a World Heritage Site by UNESCO. The Eketorp fortification is often referred to as Eketorp Castle.
The indigenous peoples of the Iron Age constructed the original fortification about 400 AD, a period known to have engendered contact between Öland natives with Romans and other Europeans. The ringfort in that era is thought to have been a gathering place for religious ceremonies and also a place of refuge for the local agricultural community when an outside enemy appeared. The circular design was believed to be chosen because the terrain is so level that attack from any side was equally likely. The original diameter of this circular stone fortification was about 57 metres. In the next century the stone was moved outward to construct a new circular structure of about 80 metres in diameter. At this juncture there were known to be about fifty individual cells or small structures within the fort as a whole. Some of these cells were in the center of the fortified ring, and some were actually built into the wall itself.
In the late 600s AD the ringfort was mysteriously abandoned, and it remained unused until the early 11th century. This 11th century work generally built upon the earlier fort, except that stone interior cells were replaced with timber structures, and a second outer defensive wall was erected.
Presently the fort is used as a tourist site for visitors to Öland to experience a medieval fortification for this region. A museum within the castle walls displays a few of the large number of artefacts retrieved by the National Heritage Board during the major decade long excavation ending in 1974. Inside the fort visitors are greeted by actors in medieval costumes who assume the roles of period artisans and merchants who might have lived there nine centuries earlier. There are also re-enactment scenes of skirmishes and other dramatic events of daily life from the Middle Ages.
Eketorp lies a few kilometers west of Route 136. There is an ample unpaved parking area situated approximately two kilometers west of the paved Öland perimeter highway. There is also a gift shop on site. During peak summer visitation, there are guided tours available. Visitors are assessed an admission charge.