The Church of Saint-Roch is a late Baroque church built between 1653 and 1740. In 1521, the tradesman Jean Dinocheau had a chapel built on the outskirts of Paris, which he dedicated to Saint Susanna. In 1577, his nephew Etienne Dinocheau had it extended into a larger church. In 1629, it became the parish church and thereafter underwent further work. The first stone of the church of Saint-Roch was laid by Louis XIV in 1653, accompanied by his mother Anne of Austria. Originally designed by Jacques Lemercier, the building's construction was halted in 1660 and was resumed in 1701 under the direction of architect Jacques Hardouin-Mansart, brother of the better-known Jules Hardouin-Mansart. Work was finally completed in 1754.
At the time of the French Revolution, the church of Saint-Roch was often at the centre of events and was the scene of many shootings which have left their mark on the façade. 13 Vendémiaire was one such occasion, this was pivotal in the rise of Napoleon. It was not only the outside of the church that was damaged. During the Revolution it was ransacked, and many works of art were stolen or destroyed. Amongst the missing paintings was one of Dinocheau, a generous donor, who built the first church on this spot.
The church is organized as a series of chapels. One of them is dedicated to Saint Susanna in memory of the church which used to stand in its place. Accordingly, there is a mural painting above the altar, showing Saint Susanna fleeing her attackers, and looking up to the heavens for the help of God. The church is also notable as a result of the marriage there of the Marquis de Sade on May 17, 1763.
Notable tombs in the church included those of Denis Diderot, the Baron d'Holbach, Henri de Lorraine-Harcourt, Pierre Corneille, André le Nôtre, Marie Anne de Bourbon (daughter of Louis XIV) and Marie-Thérèse Rodet Geoffrin.References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.