Cambrai Cathedral was built between 1696 and 1703 on the site of a former 11th century building, as the church of the Abbey of St-Sulpice. During the French Revolution the old cathedral of Cambrai was destroyed, but the abbey church survived because it was used as a Temple of Reason. When the ecclesiastical status of Cambrai was restored in 1802, albeit as a diocese rather than as an archdiocese, which it had previously been, the bishop"s seat was established in the surviving abbey church, which became the cathedral of Cambrai. Cambrai was again constituted an archbishopric in 1841.
The cathedral was severely damaged by fire in 1859, but at length restored, with advice from Viollet-le-Duc, and consecrated on 12 May 1894. The cathedral was also badly damaged in World War I and, not so seriously, in World War II.
It contains the tomb, by David d"Anger, of François Fénelon, who was archbishop from 1696 to 1715. The Cathedral is a minor pilgrimage site because of the noted Italo-Byzantine painting called 'Our Lady of Cambrai' or the Cambrai Madonna (c. 1340) in a side chapel.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.