On the eastern side of Cathedral Square stands the magnificent Ivan the Great Belltower, which, at a height of 81 metres, was the tallest building in all Russia for almost 400 years. It was the work of an Italian, Marco Bono, who was ordered by Ivan the Great to design a belltower for the Archangel, Assumption and Annunciation Cathedrals next to the 1329 Church of St. John Climacus-under-the Bells.
Between 1532 and 1543, architect Petrok Maliy built the four-storey Assumption Belfry, which stands next to the tower and houses the 64-ton Resurrection Bell, cast in the 19th Century. In 1624, the tent-roofed Filaret Tower was added.
In 1812, Napoleon's soldiers tore down many of the buildings of the Kremlin, and attempted to blow up the bell tower. Thankfully they failed, although the belfry and the Filaret Tower were badly damaged. They were restored in 1819 by the architect D.I. Gilardi.
There are 21 bells in the tower and belfry, of which the Assumption Bell, located in the central arch of the belfry, is the largest at 70 tons. It was always the first bell to ring on church holidays, a signal that started all the other church bells in Moscow. In 1918 the last Easter service in the Kremlin took place, and the bells of Ivan the Great did not ring again until 1992.
Wide scale restoration work was carried out in the 1950s, and an exhibition hall was created on the ground floor, which is still used for various temporary exhibitions.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.