The stone church of Reigi was built between 1800-1802 to replace the earlier wooden one built in the 1690. It was donated by Count Ungern- Sternberg, who had the church built in memory of his son Gustav who killed himself because he was heavily in debt to gamblers. Gustav is buried in the churchyard at Reigi.

On the top of the church steeple you can see a sculpture of a lily which was part of the coat-of-arms for the Ungern- Sternberg family. The church contains many beautiful works of art which are said to have been donated by the grateful survivors of shipwrecks near Hiiumaa's dangerous northwest coast. Some remodeling work was done in 1899 but the church still looks mostly as it did 200 years ago. The church is not open on a daily basis but it is still used for religious services so if you would like to get a look at the beautiful interior you are invited to attend a church service on Sunday.

Reference: Hiiumaa.ee

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Details

Founded: 1800-1802
Category: Religious sites in Estonia
Historical period: Part of the Russian Empire (Estonia)

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4.9/5 (based on Google user reviews)

User Reviews

Priit Lahemaa (9 months ago)
Põrandale oli tehtud ilusad LED valgusribad Pildid kirikust,pastoraadist ja kalmistust on segamini paigutatud.
Anton Shevyrin (10 months ago)
Nice church.
Ander Tamm (2 years ago)
Ilus kirik ilusa kalmistuga
Marge Konsa (2 years ago)
There is a public toilet in the churchyard.
Anatoly Ko (7 years ago)
Pihla, Kõrgessaare, Hiiumaa, 58.982742, 22.509706 ‎ 58° 58' 57.87", 22° 30' 34.94" Массивная звонница церкви в Рейги превращает довольно простую постройку в монументальную. Инициатором строительства церкви является имевший дурную славу, Венгерский князь, который решил построить церковь в память о своём погибшем сыне. Самого графа позднее сослали в Сибирь за разбойничество и разграбление кораблей. Из элементов, которые привлекают внимание, можно выделить герб дворянского семейства фон Унгерн-Штенбергов, который расположен над главным входом. Приодская церковь Рейги находится на территории посёлка Пихла, именно по этой причине, раньше эту церковь в народе называли пихлаской церковью. Название Рейги происходит от фамилии местных шведов, большую часть которых, в 1781 году сослали на Украину по приказу русской императрицы Екатерины Великой. Первое месторасположение церкви связано с легендой о горе «Кабелимяги», которая находилась неподалёку от моря. Как минимум, в 17 веке гора ещё существовала. В 1690 году была построена новая деревянная церковь, которая находилась немного дальше от того места (через дорогу), где расположена современная церковь. Третью по счёту, современную каменную церковь, построили по приказу барона Отто Рейнхольда Людвига фон Унгерн-Штернберга в 1800-1802. Таким образом он пытался восполнить вину за свои грехи перед Богом, а также построить церковь в память о своём погибшем сыне. Его сын был капитаном гвардейцев, Густав Дитрих, который проживал в столице, в Петербурге и за долгую жизнь влез в огромные долги. Для того чтобы расплатиться с долгами, он попросил помощи у отца. Строгий отец с пуританскими взглядами, отказался помочь сыну промотавшему все свои деньги. Густаву не оставалось другого выхода как будучи 27-летним парнем, застрелиться из револьвера. Образ церкви Рейги увековечен в культурной истории Эстонии благодаря новелле эстонско-финского писателя Айно Калласа «Учитель из Рейги» (“Reigi õpetaja”). Новелла повествует о любовном треугольнике мужду пастором Лемпелиусом, его женой Катариной и помощником учителя, Йонасом Кемпе, жизнь которого закончилась на плахе. По мотиву этой новеллы была написана опера (автор Эдуард Тубин) и снят фильм.
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Porta Nigra

The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.