The Pühalepa Church is Hiiumaa’s oldest stone church. In 1255, the German Order started the construction of a stone fortress-church. Initially lacking a steeple, the arched stone church was completed in the 14th century, but the construction of the steeple was not started until 1770.
During the Livonian war (16th century) the Pühalepa church was plundered, but it was restored again at the beginning of the 17th century. At least it is said that the Scottish admiral Clayton, who died of plague in 1603 in Hiiumaa, was buried in the church with dignity. In the first quarter of the 17th century, the Danes plundered the church.
In 1636 the landlords of Hiiessaare (named Gentschien) donated a gorgeous stone pulpit to the congregation (rare anywhere in Estonia), thus buying themselves the right to be buried in the church choir-room. Their tombstone stands by the southern window of the choir-room.
The Soviet period was just as costly to the church as was the Livonian war. During the occupation, the church was closed, the benches were cut out, the organ was smashed and the church was turned into a warehouse. After independence was regained, the church also recovered. Now the congregation once again owns the church and most of the former church property has been returned. The altarpiece that was lost during the war has been replaced by a colourful stained glass. Services and concerts are held regularly in the church.
The St Sophia's Cathedral was built between 1045-1050 inside the Novgorod Kremlin (fortress). It is one of the earliest stone structures of northern Russia. Its height is 38 m. Originally it was taller, for during the past nine centuries the lower part of the building became concealed by the two-metre thick cultural layer. The cathedral was built by Prince Vladimir, the son of Yaroslav the Wise, and until the 1130s this principal church of the city also served as the sepulchre of Novgorodian princes. For the Novgorodians, St Sophia became synonymous with their town, the symbol of civic power and independence.
The five-domed church looks simpler but no less impressive than its prototype, the thirteen-domed St Sophia of Kiev. The cathedral exterior is striking in its majesty and epic splendour evoking the memories of Novgorod's glorious past and invincible might. In the 11th century it looked more imposing than now. Its facade represented a gigantic mosaic of huge, coarsely trimmed irregular slabs of flagstone and shell rock. In some places (particularly on the apses), the wall was covered with mortar, smoothly polished, drawn up to imitate courses of brick or of whitestone slabs, and slightly coloured. As a result, the facade was not white, as it is today, but multicoloured. The play of stone, decorative painting and the building materials of various texture enhanced the impression of austere simplicity and introduced a picturesque effect.
The two-storied galleries extend along the building's southern, western and northern sides, with a stair-tower constructed at the north-eastern corner. The cathedral has three entrances - the southern, western and northern, of which the western was the main one intended for ceremonial processions. A gate standing at the entrance is known as the Sigtuna Gate (mid-12th century); according to legend, it was brought from the Swedish town of Sigtuna in 1187. The second name of the gate derives from the town of Magdeburg, where it was made. The two leaves are decorated with biblical and evangelical scenes in cast bronze relief. In the lower left corner there are portraits of the craftsmen who created this superb specimen of medieval Western European bronze-work. An inscription in Latin gives their names, Riquin and Weissmut. The small central figure - judging from an inscription in Slavonic - is a representation of the Russian master craftsman Avraam, who assembled the gate.
There is yet another bronze gate in the cathedral, called the Korsun Gate. Made in the 11th century in Chersonesos, Byzantium, it leads from the southern gallery into the Nativity Side-Chapel. Legend has it that the gate was handed over to Novgorod as a gift of Prince Yaroslav the Wise (c. 978 - 1054).
The interior of the cathedral is as majestic as its exterior. It is divided by huge piers into five aisles, three of which end in altar apses. In the south-western corner, inside the tower, there is a wide spiral in relatively small, modest buildings of the 12th - 16th centuries.