History of Estonia between 1722 - 1918
Sweden's defeat by Russia in the Great Northern War resulted in the Capitulation of Estonia and Livonia in 1710, confirmed by the Treaty of Nystad in 1721, and Russian rule was then imposed on what later became modern Estonia. Nonetheless, the legal system, Lutheran church, local and town governments, and education remained mostly German until the late 19th century and partially until 1918.
By 1819, the Baltic provinces were the first in the Russian empire in which serfdom was abolished, the largely autonomous nobility allowing the peasants to own their own land or move to the cities. These moves created the economic foundation for the coming to life of the local national identity and culture as Estonia was caught in a current of national awakening that began sweeping through Europe in the mid-19th century.
Educated German immigrants and local Baltic Germans in Estonia, educated at German universities, introduced Enlightenment ideas of rational thinking, ideas that propagated freedom of thinking and brotherhood and equality. The French Revolution provided a powerful motive for the enlightened local upper class to create literature for the peasantry. The freeing of the peasantry from serfdom on the nobles' estates in 1816 in Southern Estonia: Governorate of Livonia and 1819 in Northern Estonia: Governorate of Estonia by Alexander I of Russia gave rise to a debate as to the future fate of the former enslaved peoples. Although Baltic Germans by and large regarded the future of the Estonians as being a fusion with the Baltic Germans, the Estophile educated class admired the ancient culture of the Estonians and their era of freedom before the conquests by Danes and Germans in the 13th century. The Estophile Enlightenment Period formed the transition from religious Estonian literature to newspapers written in Estonian for the mass public.
A cultural movement sprang forth to adopt the use of Estonian as the language of instruction in schools, all-Estonian song festivals were held regularly after 1869, and a national literature in Estonian developed. "Kalevipoeg", Estonia's national epic, was published in 1861 in both Estonian and German.
1889 marked the beginning of the central government-sponsored policy of Russification. The impact of this was that many of the Baltic German legal institutions were either abolished or had to do their work in Russian – a good example of this is the University of Tartu.
As the Russian Revolution of 1905 swept through Estonia, the Estonians called for freedom of the press and assembly, for universal franchise, and for national autonomy. Estonian gains were minimal, but the tense stability that prevailed between 1905 and 1917 allowed Estonians to advance the aspiration of national statehood.Reference: Wikipedia
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.