A tidal island off the north coast of the Orkney mainland, the Brough of Birsay was intensively settled from the 7th to the 13th centuries AD. The physical remains comprise a 9th-century Viking-Age settlement and 12th-century monastery, together with traces of an earlier Pictish settlement of the 7th and 8th centuries. The buildings and artefacts discovered make the brough one of the most important, and attractive, monuments in Scotland.
Excavations showed that the island was occupied in the late 7th century by Picts, Scotland’s oldest indigenous people. Today the most tangible sign of their presence is the replica of symbol stone inside the graveyard. (the original is in the Museum of Scotland, Edinburgh).
Traces of Pictish buildings were also discovered beneath the later Viking houses. However, the only feature visible today is a well on the east side of the churchyard. Evidence for metalworking was found nearby. The high-quality objects included brooches and rings, bone combs and dress pins.
Vikings from Norway settled on the brough in the early 9th century. The remains of their houses and barns can still be seen. The settlement developed over the next three centuries, and the process of building and rebuilding has left a complicated maze of walls, one on top of the other, in the area between the later churchyard and the sea. Individual rooms of 10th-century houses are recognisable, together with an 11th-century sauna and part of a house with under-floor heating. Nearby are remains of a smithy.
The final phase saw the building of a small monastery. This consisted of a church in Romanesque style, with stone benches down the side walls of the nave and alcoves for altars on either side of the entrance into the chancel. A small cloister housing the domestic buildings was built on its north side.
The monastery may have been established by Thorfinn ‘the Mighty’, Earl of Orkney, whom the Orkneyinga Saga relates ‘had his permanent residence at Birsay’ in the mid-11th century. (His residence was probably in Birsay, on Mainland Orkney.) The body of Thorfinn’s grandson, St Magnus, was held at Birsay following his murder in 1117. The island monastery was possibly short-lived, for Birsay was eclipsed later that same century when St Magnus’s relics were removed to Kirkwall and placed in the new St Magnus’s Cathedral.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.