The Italian Chapel is a highly ornate Catholic chapel on Lamb Holm. It was built during World War II by Italian prisoners of war, who were housed on the previously uninhabited island while they constructed the Churchill Barriers to the east of Scapa Flow. Only the concrete foundations of the other buildings of the prisoner-of-war camp survive. It was not completed until after the end of the war, and was restored in the 1960s and again in the 1990s. It is now a popular tourist attraction, and a category A listed building.
550 Italian prisoners of war, captured in North Africa during World War II, were brought to Orkney in 1942. They worked on the construction of the Churchill Barriers, four causeways created to block access to Scapa Flow. 200 were based at Camp 60 on Lamb Holm. In 1943, Major Thomas Pyres Buckland, Camp 60's new commandant, and Father Gioacchino Giacobazzi, the Camp's priest, agreed that a place of worship was required.
The chapel was constructed from limited materials by the prisoners. Two Nissen huts were joined end-to-end. The corrugated interior was then covered with plasterboard and the altar and altar rail were constructed from concrete left over from work on the barriers. Most of the interior decoration was done by Domenico Chiocchetti, a prisoner from Moena. He painted the sanctuary end of the chapel and fellow-prisoners decorated the entire interior. They created a facade out of concrete, concealing the shape of the hut and making the building look like a church. The light holders were made out of corned beef tins. The baptismal font was made from the inside of a car exhaust covered in a layer of concrete.
Chiocchetti remained on the island to finish the chapel, even when his fellow prisoners were released shortly before the end of the war.
In 1958, the Chapel Preservation Committee was set up by a group of Orcadians. In 1960, Chiocchetti returned to assist in the restoration. He returned again in 1964, but was too ill to travel when some of the other prisoners returned in 1992 to commemorate the fiftieth anniversary of their arrival on the island. He died in 1999. In 1996 a declaration was jointly signed by officials in Orkney and Chiocchetti's hometown of Moena, reinforcing the ties between the two places.
Today the tin tabernacle is still used as a chapel and remains a popular tourist attraction, receiving over 100,000 visitors every year. It has become one of the best-known and moving symbols of reconciliation in the British Isles.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.