St. Magnus Cathedral was founded as a final resting place for the relics of St. Magnus. Work on its construction started in 1137. The Cathedral's founder was Earl Rognvald who supervised the earliest stages of the building during the bishopric of William the Old of Orkney (1102-1168).
Between 1154 and 1472, Orkney was ecclesiastically under the Norwegian archbishop of Nidaros (Trondheim) and after that it became part of the Scottish province of St. Andrews. The Cathedral was assigned to the inhabitants of Kirkwall by King James III of Scotland in a charter dated 1486. One of the most notable bishops was Bishop Robert Reid who held the see of Orkney between 1541 and 1558.
The Reformation brought ruin to many cathedrals but St. Magnus Cathedral seems to have emerged relatively unscathed, although the organ, treasures and rich vestments were removed and the wall decorations were covered in whitewash.
In 1845 the Government presumed the ownership of the Cathedral, expelling the then congregation and carrying out major restoration work to the fabric of the building. In 1851 the Royal Burgh of Kirkwall re-established ownership of the building and the choir and presbytery were fitted with new pews and galleries for the reinstated congregation.
The Cathedral slowly deteriorated until the early 20th century when The Thoms Bequest made further major restoration possible. Between 1913 and 1930, the main alteration to the exterior of the Cathedral was the erection of a tall steeple which replaced the low pyramidal roof of the bell tower. Internally, the screen separating the choir from the nave was removed, along with the pews and galleries. Stained glass windows replaced the formerly plain windows, much of the floor was tiled and the warm red sandstone was revealed by the removal of plaster and whitewash.
Today St. Magnus Cathedral is a popular tourist destination. The great age of much of its structure means it has smaller windows than those found in more modern churches. The tall narrow nave gives the illusion of much greater size than is actually the case. Uniquely in Britain, the Cathedral has a dungeon or holding pen built between the south wall of the choir and the south transept chapel. It is known as Marwick's Hole, but the source of this name and the time of its origin are unknown.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.