The Dwarfie Stane is a megalithic chambered tomb carved out of a titanic block of Devonian Old Red Sandstone located in a steep-sided glaciated valley between the settlements of Quoys and Rackwick on Hoy island.
The attribution as a tomb was originally based on its resemblance to recognized tombs in southern Europe. The Dwarfie Stane is the only chambered tomb in Orkney that is cut from stone rather than built from stones and may be the only example of a Neolithic rock-cut tomb in Britain. However, despite its unique construction, its plan is consistent with the so-called Orkney-Cromarty class of chambered tomb found throughout Orkney. Some authors have referred to this type of tomb as Bookan-class, after a chambered cairn in Mainland, although there's some disagreement as to the relationship between the two tomb types.
A stone slab originally blocked the entrance to the tomb on its west side, but now lies on the ground in front of it. It is unique in northern Europe, bearing similarity to Neolithic or Bronze Age tombs around the Mediterranean. There is no direct evidence, however, of any link to the builders of the Mediterranean rock-cut tombs.
The stone is 8.6 metres long, by 4 metres wide and up to 2.5 metres high. Inside the tomb is a passage 2.2 metres long and two side cells measuring 1.7 metres by 1 metre.
The tomb has been plundered by making an opening through the roof of the chamber. The time of this event is not known, but the hole in the roof had been noted by the 16th century. The hole was repaired with concrete in the 1950s or 1960s.
The name is derived from local legend that a dwarf named Trollid lived there, although, ironically, the tomb has also been claimed as the work of giants. Its existence was popularised in Walter Scott's novel The Pirate published in 1821.References:
Built around AD 90 to entertain the legionaries stationed at the fort of Caerleon (Isca), the impressive amphitheatre was the Roman equivalent of today’s multiplex cinema. Wooden benches provided seating for up to 6,000 spectators, who would gather to watch bloodthirsty displays featuring gladiatorial combat and exotic wild animals.
Long after the Romans left, the amphitheatre took on a new life in Arthurian legend. Geoffrey of Monmouth, the somewhat imaginative 12th-century scholar, wrote in his History of the Kings of Britain that Arthur was crowned in Caerleon and that the ruined amphitheatre was actually the remains of King Arthur’s Round Table.
Today it is the most complete Roman amphitheatre in Britain.