The Great dolmen of Dwasieden is a megalithic site of the Funnelbeaker culture, which was constructed between 3500 and 2800 BC.
The dolmen lies in a roughly northeast-southwest oriented, trapezoidal hunebed about 35 metres long and 12.5 to 7.5 metres wide. Of the 54 kerb stones - including the four guardian stones - 41 have survived. The rectangular, roughly east-west oriented chamber at the wide end of the frame, with its western entrance and porch consists of seven supporting stones, a half stone the height of the uprights and five slabs, on which there are three large (on the chamber) and three small capstones. Only the central capstone of the chamber is missing. One of the four guardian stones at the southwest end, which had already been overturned in the past, has 40 cup marks, one of the kerb stones has three more. The site is a prime example of the porch dolmen (Großdolmen mit Windfang), typical of this region. A two-metre-long porch runs past the support-high half stone to the 4.0 metre long, 1.7 metre wide and 1.4 metre high chamber. The hall consists of red sandstone slabs, annealed flint and a clay floor.
Neither human bones nor cremated remains were found, but it has been established that it was later used by members of the Globular Amphora culture. The artefacts found include 1,777 shards, the largest amount of pottery in a site in Mecklenburg-Western Pomerania. There were also 19 blades, eleven amber beads, eight cups, six crosscutters, six scrapers, five biconical vessels, five bowls, two funnel bowls, a scraper (Schaber), a hammerstone and a narrow chisel.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.