User Reviews
King St. Stephen established a bishopric of Pécs in 1009. The origins of the Bishop's Palace reach back to the 12th century. First it was inhabited by the French Bishop Bonipert and later on by the Hungarian Bishop Mor. Just like the cathedral, the palace is a piece of stylistic history. The Gothic windows and Roman layout are hidden by the Neo-Renaissance facade. Preserved in the smokery is the wooden tobacco-pipe of the priest of Ibafa. Exhibitions about the lives of Bishops and of the interiors of the Bishop’s Palace will soon be open to the general public. The inner garden and the secret, underground hallway connecting the garden with the Bishop’s Cellar will be open to visitors as well.
On the eastern side of the Cathedral we can find the Classicist, late Baroque building of the Capitular Archives and the Parish, built during the time of Bishop Klimo. It was built based on the plans of the famous architect Sartory. Besides prebendary rooms it contains capitular archives, precious document of the cathedral archives, a drawings collection and the parish heritage records. The forged gate of the Bishop’s Crypt, built under the Archives in 1747, is an elaborate piece of art. The neighboring Dom lapidary is one of the most important statue collections of the art of Medieval Hungary: the original Roman-age sculptures, sculpture fragments and reliefs decorated with biblical scenes are all kept here.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.