Güstrow Palace is a Renaissance-era palatial schlossb built in 1558 for Ulrich, Duke of Mecklenburg. The palace features stucco decorations and a Baroque-classicist gatehouse.
Construction of the present palace was initiated in 1558 by Ulrich, Duke of Mecklenburg, in place of a medieval castle. Franciscus Pahr was the master builder who constructed the additional south and west wings in a fusion of Italian, French, and German architectural styles, unique for the time and area.
In 1657, Gustav Adolf, the last Duke of Güstrow, engaged Charles Philippe Dieussart to refurbish parts of his palace in modern style. The Baroque gatehouse and the palace bridge were built during this time. After the end of ducal control, between 1817 and 1950, the palace became the farm house of Mecklenburg workers. Further restoration took place from 1963 to 1978, when the palace was restored to its original grandeur.
Güstrow Palace is quadrangular in shape. Some of the old furniture has been removed to Schwerin and other places following the death of Magdalena Sybilla which marked the end of the Güstrow lineage. In one part of the palace, there are well preserved Flemish paintings; one particular painting is of a Dutchman smoking. A theatre is in good shape with well preserved original stucco paintings. The stucco ceilings are retained in their original form in the palace. The banquet hall's ceiling has unique stucco paintings of hunting scenes which are adaptations from Dutch copper engravings. The medieval rooms in the basement of the palace, which are vaulted, have many artifacts of the medieval period of Germany. The art chamber contains exhibits of hunting and ceremonial weapons. The refurbished former dining halls, residential and reception rooms have exhibits of paintings of Cranach, Marten de Vos, and Tintoretto. Antique ceramic vessels and a large number of glass items are on display in the former chamber of the duchess. There are also displays from the 19th to 21st centuries.
The grounds contain stables and a well-tended garden. The garden has been redone with beds of lavender and walkways.
The palace houses a museum related to the male line of Duchess Elisabeth Sophie of Mecklenburg's family, presenting also art exhibitions and concerts.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.