Begun as a three-aisle hall church at about the same time as the town Ribnitz was founded, the oldest pre-Romanesque parts of the St. Mary's Church are located in the western outer wall of the building. Pilister corner strips, a rounded frieze and lanset windows are amongst other remanents of this first church.
In the 14th century, the church was enlarged by the addition of two bays, and decorated by the addition of peaked arch portals in the north of south of these. After a 1455 fire, the building was rebuilt with a pentagonal choir bay and a massive ornamental helm on the top of the spire. The Great fire of 1759 destroyed this ornamental helm, as well as the building's vaulting and medieval interior. Under instruction of the court masterbuilder Johann Jachim Busch of Ludwigsluster, the tower's roof and its interior was rebuilt in a Gothic style.
The centre aisle of the church was distinguished from this time on by a semi-circular barrel-shaped timber supports, the side-aisles by a flat wooden roof. Busch envisaged a pulpit alter, and after the pulpit was relocated into the church nave, the alter was completed with the addition of the Ludwigluster court painter J.H. Surlandt; the image is a copy of Annibale Carraci's 'The Burial of Christ'. The church's northern and southern side-chapels were never restored due to insufficient funds, with the foundations also removed. Between 1841 and 1843, Georg Adolph Demmler oversaw the addition of a latern to the of a Baroque-style tower crown, heighening the tower, which still offers a sightseeing platform to visitors. In the 1970s, the church was threatened by structural damage, losing once more much of its interior: the 1883 organ, built by Friese of Schwerin, was removed. After 1980, the church was renovated, the interior again altered and a winter church on the site added.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.